Ignas's Fate (2024) 绘画 由 Natalie Levkovska

油在帆布上, 46.9x39 in
US$3,792.95
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安装在木质担架架上
  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 46.9in, 宽度 39in
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  • 分类 画作 低于US$5,000 形象艺术 肖像
The work was painted especially for the exhibition that will be held in the old restored synagogue in Žežmariai. Most likely, though, even if this project had not taken place, I would have painted a portrait of Ignas from Ignalina (as he calls himself). The bright individuality of the musician combined with his non-athletic physique contrasts sharply [...]
The work was painted especially for the exhibition that will be held in the old restored synagogue in Žežmariai. Most likely, though, even if this project had not taken place, I would have painted a portrait of Ignas from Ignalina (as he calls himself). The bright individuality of the musician combined with his non-athletic physique contrasts sharply with the background of our well-built posers. Once I wrote that there are models and there are Models, those who with their appearance and energy inspire artists to draw and paint the best works. So, Ignace, with his look, similar to the hero of the Biblical story, inspired me to paint this portrait. As it seems to me, it turned out to be not only an individual portrait, but something more.
One cannot be objective about anything; our thoughts and feelings towards others are always personalized. Thus, we will love and respect people with whom we had a good time, fun and interesting, more than strangers.
I was lucky, having Jewish friends from childhood. I studied in a school with a strong physics-mathematics program, and this naturally attracted a large number of Jewish children. Later in college, I became friends with Elia and Stas, who helped me many times, fed me, supported and inspired me. I had a good time with them.
That is why what has been going on in Israel is disturbing me. A nation that was persecuted for so many centuries, that survived the Holocaust, was able to assemble, to rise up and build its own state and live by its own laws. Does that not deserve respect?
Why do I have snakes in the background? Snake is a very archaic, very strong and contradictory symbol. It is both perfidy and the Devil's temptation; it is a deadly poison and at the same time a medicine; it is sexual energy and power in general.
Some things, or rather things-events that are invisible to the eye, are almost impossible to verbalize, because when they are embodied in words, they lose their power and meaning, becoming flat and banal. And also, by saying them aloud you risk earning the reputation of a madman. But I shall try to describe my vision imaginatively.
The sense of small, big, and after them gigantic streams of archaic snakelike energies has become very aroused in recent years. These living, rather even bestial, much more ancient than our fragile civilized, rules settled, energies are beginning to dominate in the individual human in the beginning.... then one in ten and soon infecting large groups of people sharing a common living area. And so, the established norms and rules of living together begin to shift. What does it lead to? Most often to chaos and wars. But everything will be settled again in time with new laws and rules convenient for the people in power.
What should a single person do when one's personal strength and life span are severely limited? I'm afraid you don't have a universal answer and don't bother.

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Natalie Levkovska 是一位经验丰富的立陶宛画家和插画家。 1995年,她获得了大师级艺术家(Abramtsevo应用艺术学院)的石材、骨骼和木材加工学位,并于1999年完成了服装设计(维尔纽斯艺术学院)学位。后来她成为电影业的服装设计师,后来成为皮草设计师。 2006年,她决定改变自己的生活:搬到伦敦的一家设计工作室工作,并开始尝试油画。. 她创作简单而富有诗意的艺术作品,融合了超现实主义和天真艺术。她的艺术宇宙是一种魔幻现实主义:她喜欢展示现实生活中的物体,试图带出空间的魔幻脉动。她创作的情节取材于她的生活:一年中不同时间她家附近的白桦林、所爱之人的肖像、她在雪中的村庄……. [...]

Natalie Levkovska 是一位经验丰富的立陶宛画家和插画家。 1995年,她获得了大师级艺术家(Abramtsevo应用艺术学院)的石材、骨骼和木材加工学位,并于1999年完成了服装设计(维尔纽斯艺术学院)学位。后来她成为电影业的服装设计师,后来成为皮草设计师。 2006年,她决定改变自己的生活:搬到伦敦的一家设计工作室工作,并开始尝试油画。

她创作简单而富有诗意的艺术作品,融合了超现实主义和天真艺术。她的艺术宇宙是一种魔幻现实主义:她喜欢展示现实生活中的物体,试图带出空间的魔幻脉动。她创作的情节取材于她的生活:一年中不同时间她家附近的白桦林、所爱之人的肖像、她在雪中的村庄……

Natalie Levkovska 组织了 19 个个人展览,参加了许多绘画和素描活动,她的画作可以在许多私人收藏中找到。

艺术家在 ArtMajeur 杂志的一篇文章中被强调:

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