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jungle (2016) 绘画 由 Natalia Sergeeva
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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文件尺寸 (px) | 1067x1500 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在纸上
- 外形尺寸 高度 16.5in, 宽度 11.7in
- 艺术品状况 艺术品状况良好
- 是否含画框 此作品未装裱
- 分类 画作 低于US$500 抽象主义 抽象主义
The magenta background symbolized a space of struggle for me. The green streams, like living entities, intertwine with black, representing forces that clash and burst outward. Red accents act as flashes of passion, pain, and anxiety. The entire composition may seem chaotic, but within this chaos I find harmony.
This painting is my way of letting go of emotions, a dialogue with my inner world through the language of color and form. Everyone can find their own meaning in it, and that’s precisely what makes abstraction feel so alive and free.
相关主题
I was born in Smolensk. Since early childhood, I have been drawing everything I saw and felt, but I never perceived it as a possible vocation — perhaps only considering design as one of life’s paths. Painting seemed something distant, almost unattainable.
In my youth, I tried myself as an art photographer and participated in regional exhibitions, while painting remained an inner experience for me — a way to give expression to emotions. One day, one of my abstract works caught the eye of an expert during the selection of photographs for an exhibition. He noticed it, appreciated it highly, and soon it was included in an international exhibition. For me, this came as a complete surprise — even slightly unsettling. After all, at that time I had no professional training; I simply painted to express what was inside me.
That’s when I decided to study art. First with one master, then with another. We drew still lifes, antique heads, jugs, vases, and sometimes strange compositions. Twenty years passed as I walked this path, learning the laws of form, light, and shadow. But over time, I realized that abstraction had always remained my true nature. Only now it had become deeper, stronger, more conscious.
As for the jugs and vases — they never became part of my free artistic narrative.
Today, my works are a combination of inner freedom and lived experience, expressed through the language of art. They are a manifestation of energy, movement, and emotion through color, form, and space. They reflect on the role of a woman, her journey, the barriers she faces, unusual emotional states, her joys, and realizations.