Medical Milieu - Corona Autumn (2023) 绘画 由 Nancy Fruchtman (Taya)

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This is a snapshot of Autumn 2020, the third season of the COVID 19 pandemic (Corona). It shows a small part of what it was like to be in hospital: birth, near-death, love. So many simultaneous events for one season. All the above were not part of the pandemic, but simultaneous with the reality of having to change rooms to make way for new cases[...]
This is a snapshot of Autumn 2020, the third season of the COVID 19 pandemic (Corona).
It shows a small part of what it was like to be in hospital: birth, near-death, love. So many simultaneous events for one season. All the above were not part of the pandemic, but simultaneous with the reality of having to change rooms to make way for new cases of COVID 19 and having to wear masks.
It is about medical and artistic interventions in a cornucopia of events experienced in a hospital with an art museum on the ground floor, surrounded by gardens and walks.

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My art manifests my vision of a dynamic world of multiple, simultaneous perspectives. As Dr. Dalia Hakker-Orion, curator of my exhibition in Tel Aviv wrote: "She doesn't paint according to instructions[...]

My art manifests my vision of a dynamic world of multiple, simultaneous perspectives. As Dr. Dalia Hakker-Orion, curator of my exhibition in Tel Aviv wrote: "She doesn't paint according to instructions or styles, but evolves at her own pace, creating original paintings manifesting passages connecting different realities."  Each picture goes beyond the obvious, leaving hints of meaning that provide possibilities for personal interpretation. There is more to see than what can be taken in at a glance.

Encaustic (hot wax) paint is the current medium of my choice. Translucent, underlying layers impart radiance and mystery. Within these, other mediums and objects may be embedded. Encaustic layers can be scraped back to reveal substrates or carved into new structures. 

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