Bluebird of Happiness (2013) 绘画 由 Miriam Morgan
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
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Usage： 网络许可证
| 1125 px | ||
|
1500 px |
| 文件尺寸 (px) | 1125x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行She was created by first affixing a sheet of Stonehenge printmaker's paper to a wood panel, giving that a wash of ink, then drawing the portrait in graphite. I then sealed the drawing with workable fixative, and went in with colored pencil, more ink, and graphite details. Then I glued on some embroidery floss for the details on her garment using ModPodge, and added some acrylic embellishments and highlights.
If you've ever seen the movie K-PAX, you might remember the scenes in which a patient at the mental hospital is given the task of waiting patiently for a "bluebird of happiness" to appear. To my mind, this is one of the subtle yet profound examples of conscious manifestation in popular media. Often, we don't notice our desires coming into being because we're too busy looking at the things we don't want. So our wishes remain just out of reach, and out of sight.
But they're always there. Just wait, and know that what you want is available to you. As Neville might say, "what you want, wants you too".
Thank you for visiting my little painting, and reading these few words.
相关主题
To me, creating art is a spiritual exploration, and if I’ve succeeded, the finished piece invites the viewer to embark on an exploration of their own.
My creative journey began in childhood and was further nurtured by an inspiring teacher in middle school. Where I was self-effacing and, like most pre-teens, didn’t take my work seriously, she saw my potential. I often think of her with gratitude, as her encouragement led me to honor my artistic ability and pursue it with dedication.
Since then, my influences have ranged from the opulent mysticism of Gustav Klimt to Egon Schiele’s raw expressiveness and Maxfield Parrish’s radiant dreamscapes, which somehow possess a solidity that feels real. These artists' works reflect a belief I hold dear, shaped by the teachings of Neville Goddard: that all reality originates in consciousness. This idea is what I aim to express in my work, even in what might appear to be the most mundane portraiture. To me, nothing is mundane, and all is divine.
Over the years, I’ve evolved from working traditionally in mixed media—layering drawing, painting, and textiles, blending the tangible and the intangible—to working digitally in Procreate. Recently, I’ve begun revisiting older works kept “in the closet,” reworking and developing them digitally to create something fresh. In this way, I’m bringing both my art and myself out of hiding.
