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油在纸上, 7.9x7.1 in
US$915
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发货地： 塞尔维亚
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安装在木板上
这件艺术品出现在1集
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原创艺术品 (One Of A Kind)
绘画,
油
在纸上
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外形尺寸
11.8x11 in
单独工作的尺寸，不带框架： 高度 7.9in, 宽度 7.1in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷
- 分类 画作 低于US$1,000 古典主义 肖像
Unspoken Things Oil on Paper, Handmade Pigments and Dutch Lead White — Old Masters Technique. The subject, likely a Jewish elder, stands as a symbol of resilience and introspective strength. He is not idealized, but profoundly human. His features are carved by time, marked by the evidence of a long life lived and endured. His mouth, slightly ajar, [...]
Unspoken Things Oil on Paper, Handmade Pigments and Dutch Lead White — Old Masters Technique
The subject, likely a Jewish elder, stands as a symbol of resilience and introspective strength. He is not idealized, but profoundly human. His features are carved by time, marked by the evidence of a long life lived and endured. His mouth, slightly ajar, suggests the trace of a smile or a thought withheld. The tension in the expression lies in this ambiguity — it is a portrait of emotion not yet spoken.
Special attention was given to the creation of the lead white pigment — a crucial component of classical painting, which was made personally by the artist following the Dutch stack process, a 17th-century method historically used by painters such as Rembrandt and Vermeer. This method yields a warm, dense white with unique handling properties and subtle translucency, allowing for the lifelike rendering of skin tones and light.
The subject, likely a Jewish elder, stands as a symbol of resilience and introspective strength. He is not idealized, but profoundly human. His features are carved by time, marked by the evidence of a long life lived and endured. His mouth, slightly ajar, suggests the trace of a smile or a thought withheld. The tension in the expression lies in this ambiguity — it is a portrait of emotion not yet spoken.
Special attention was given to the creation of the lead white pigment — a crucial component of classical painting, which was made personally by the artist following the Dutch stack process, a 17th-century method historically used by painters such as Rembrandt and Vermeer. This method yields a warm, dense white with unique handling properties and subtle translucency, allowing for the lifelike rendering of skin tones and light.
相关主题
Miloš Todorović was born in Čačak, Serbia, in 1985. After completing high school in his hometown, he enrolled at the Faculty of Fine Arts of the University of Arts in Belgrade, majoring in printmaking. He has [...]
Miloš Todorović was born in Čačak, Serbia, in 1985. After completing high school in his hometown, he enrolled at the Faculty of Fine Arts of the University of Arts in Belgrade, majoring in printmaking. He has exhibited in numerous fine art shows across Serbia and internationally in Italy and France, focusing on portrait and figurative painting. In addition, he completed an advanced course in art restoration. Today, his works are among the most valued by collectors of fine art.
