"The old kind Armenian still-life."
Масло | 23,6x27,6 in
Продан
Все работы Meruzhan Khachatryan
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"The Armenian still-life with a wheel."
Масло | 31,5x27,6 in
Продан
"Night prolong! Remain a haze..."
Масло | 23,6x27,6 in
Продан
"Here a pomegranate, cut..."
Масло | 23,6x27,6 in
Продан
"I am a falcon with a red ring...,"
Масло | 27,6x23,6 in
Продан
"The Armenian still-life."
Масло | 31,5x27,6 in
Продан
"The leaving childhood."
Масло | 31,5x27,6 in
Продан
"Stars and flowers."
Масло | 27,6x25,6 in
Продан
"The Armenian stones, from a series ' the Armenian stones '"
Масло | 27,6x39,4 in
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"The Armenian belief in"
Масло | 43,3x31,5 in
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"Still-life with immortelles"
Масло | 23,6x27,6 in
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"Before you , my desire..."
Масло | 27,6x23,6 in
Продан
"Ancient Armenian poet Naapet Kuchak"
Масло | 27,6x23,6 in
Продан
"APRIL, 24 Dedicated to... Great KOMITAS"
Масло | 35,4x31,5 in
8 336,88 $
"Reassessment of values"
Масло | 43,3x31,5 in
2 665,01 $
"Imagination of colors."
Картина | 19,7x15,8 in
Продан
"Birth from chaos"
Масло | 23,6x31,5 in
Продан
"nk-002-964.jpg"
Масло | 23,6x27,6 in
Продан
"Still-life with attributes."
Масло | 27,6x19,7 in
Продан
"The Armenian still-life."
Масло | 31,5x39,4 in
Продан
"You are praised, the moon of heavens,That all world is lit up by you."
Масло | 27,6x23,6 in
Продан
"The Armenian spirit, the Armenian heart."
Масло | 31,5x27,6 in
Продан
"Still-life with a laying wheel."
Масло | 35,4x31,5 in
Продан
"Armenian expression."
Масло | 23,6x39,4 in
Продан
"Blossoming pear"
Масло | 19,7x23,6 in
Продан
"Sphere of Galileo."
Масло | 27,6x23,6 in
Продан
"Yesterday along the street conducted a beauty somewhere..."
Масло | 27,6x31,5 in
Продан
"'Start to'' fly'' From a series penetration."
Масло | 35,4x23,6 in
Продан
"The Armenian masters"
Масло | 39,4x27,6 in
Продан
"The artist has died, having written the unique eyebrow..."
Масло | 27,6x31,5 in
Продан
"You have come late to water."
Масло | 27,6x23,6 in
Продан
"Still-life with the book and a lamp."
Масло | 23,6x27,6 in
Продан
"It is devoted to Komitas."
Масло | 31,5x23,6 in
Продан
"How to be - all speak about us ..."
Масло | 31,5x23,6 in
Продан
"Not concentrated attention"
Масло | 23,6x35,4 in
Продан
"The cut emotions."
Масло | 31,5x23,6 in
Продан
признание
Данных пока нет
Биография
Меружан Хачатрян родился 26 февраля 1980 года в Ереване, в семье художника. В 2001 году он окончил отделение живописи, училища им. П.Терлемезяна. Принимал активное участие в многочисленных выставках, как индивидуальных, так и совместных, тем самым начав свой продуктивный путь. Его работы находятся в частных коллекциях многих стран мира:
Россия, Греция, Кипр, Франция, Италия, Испания, Португалия, Дания, Голландия, Англия, Ирландия, Индия, Египет, Япония, Китай, Турция, Ливан, Бразилия, США, Канада, Украина, Казахстан, Грузия, Аргентина, Иран, Венесуэла, Израиль, Австралия, Новая Зеландия
и ряд других стран, и конечно же Армения.
С 2004 года Меружан Хачатрян является членом Союза Художников Республики Армения.
Работы Меружана Хачатряна выставлялись:
Россия, Санкт-Петербирг: 1993 г. В рвмках фестиваля "Дни Армянской Культуры"
США. Лос-Анджелес: 1994 г. В рамках фестиваля "Браво Армения"
Дания, Копенгаген: 2005 г. В рамках выставки "Культура Армении"
Армения, Ереван:
2003 г. "Республиканская Молодежная Выставка" Выставка в доме Союза Художников Армении
2003 г. 2004, "Республиканская Выставка Графики" Выставка в доме Союза Художников Армении
2004 г. "Республиканская Выставка Автопортретов" Выставка в доме Союза Художников Армении
2007 г. Выставка под названием "Старый и новый Ереван" в Арт. галерее "Арев-Арт" так же в Мерии г. Ереван
2008 г. Выставка посвященная 75-ти летию основания Союза Художников Республики Армения.Выставка в доме Союза Художников Армении
2008 г. Выставка под названием "Свобода" в Арт. галерее "Арев-Арт"
2008 г. "Республиканская Молодежная Выставка" Выставка в доме Союза Художников Армении
В скорем будущем готовится индивидуальная выставка.
В настоящее время печатается новый каталог и буклет работ Меружана Хачатряна.
-
Национальность:
АРМЕНИЯ
- Дата рождения : 1980
- Художественные домены:
- Группы: Современные Армянские Художники
Влияния
Данных пока нет
обучение
Данных пока нет
Сертифицированная ценность художника
Данных пока нет
достижения
Данных пока нет
Деятельность на Artmajeur
Последняя обновлённая редакция: 26 дек. 2023 г.
(Зарегистрирован 2009)
Просмотры изображений: 35 809
Произведения Meruzhan Khachatryan добавлены в избранные коллекции: 2
Последние новости
Все последние новости от современного художника Meruzhan Khachatryan
Добавлено 7 мар. 2012 г.
By Meruzhan Khachatryan
Добавлено 7 мар. 2012 г.
Exhibition devoted to saint memory of all victims of Armenian Genocide.
Добавлено 7 мар. 2012 г.
About painter's works
Добавлено 24 апр. 2009 г.
APRIL, 24 Dedicated to... Great KOMITAS ,
26a Nizami street, Yerevan, Armenia
пятница
24
апрель
2009
среда
27
май
2009
APRIL, 24 Dedicated to... Great KOMITAS
Komitas, a.k.a. Soghomon Soghomonyan, was born on September 26, 1869 in Anatolia, Turkey, in the town of Koutina (Ketaia). His father, Gevorg Soghomonyan was a shoemaker but he also composed songs and had a beautiful voice. The composer’s mother – Tagui - was also singled out for her vivid musical abilities; she was a carpet weaver.
Komitas’s childhood was joyless and full of deprivations. He lost his mother when he was less than one year old, and because his father was too busy his grandmother took care of him. At age 7 Komitas entered the local elementary school. As soon as he finished school his father sent him to Broosa to continue his education. However, he failed and 4 months later he came home having ultimately become an orphan: his father passed away and Soghomon was only 11 years old…
“He was a frail, weak, pale boy, always thoughtful and kind. He was dressed poorly, ” one of his classmates recalled about Komitas.
Soghomon was often seen sleeping on the cold stones of the laundry room.
He could sing perfectly, and no wonder in Koutina he was nicknamed “a little vagrant singer”.
For his delightful voice Soghomonyan was also indebted to an event that fundamentally changed the entire course of his life.
In 1881 the priest of Koutina, G. Dertsakyan, had to leave for Echmiadzin to be ordained a bishop. At the request of the Catholicos he brought the gifted orphan boy with him to study at the Echmiadzin Church Seminary. Twelve-year old Soghomon was selected out of the other 20 orphans to study at the Seminary. As it was forbidden to speak Armenian at that time the boy spoke Turkish and when being greeted by the Catholicos Gevorg IV, he replied, “I don’t speak Armenian, if you wish I will sing”. Then with his fine soprano voice he sang an Armenian sharakan (a church hymn) without understanding the words. Due to his exclusive aptitude Soghomon overcame all the obstacles in a very short time and perfectly learned Armenian.
In 1890 Soghomon was ordained a monk.
In 1893 he finished studying at the seminary, then he was ordained a “Vardapet” (priest) and acquired his new name “Komitas” - the name of the outstanding poet of VII century, the author of sharakans. At the seminary Komitas was assigned to teach music.
Along with teaching, Komitas organized a choir, an orchestra of folk instruments, and treated folk songs; he made the first researches in the field of Armenian Church music.
In 1895 Komitas was ordained an archimandrite. In the autumn of the same year he left for Tiflis to study at the musical college. However, when he met the composer Makar Yekmalyan, who had received his education at the conservatory of Petersburg, he changed his mind and started studying a course on harmony by that composer. These studies became the original forerunner and the firm basis for gaining the European technique of composition.
The further events of Komitas’s life had to do with the large music center in Europe – Berlin, where he went to study under the protection of the Catholicos, being financed by the largest Armenian oil magnate Alexander Mantashyan.
Komitas entered the private conservatory of Professor Richard Schmidt. Within the conservatory Komitas took private classes on singing, elaborating his beautiful voice, fine baritone. Simultaneously with these classes, he also attended the lectures on Philosophy, Esthetics, General History and History of Music. During these academic years he had an opportunity to “communicate” with European music, continually enriching the supply of knowledge, and engaging in musical criticism. Upon the invitation of the International Music Association he held lectures devoted to the Armenian church and contemporary music in comparison with Turkish, Arabic and Kurdish music.
In September 1899 Komitas returned to Echmiadzin and started his musical activity right away. In a short period he radically changed the system of teaching music in the seminary, organized a small orchestra and perfected the performance level of the choir.
He visited various regions of Armenia treating and putting down thousands of Armenian, Kurdish, Persian and Turkish songs……
Добавлено 24 апр. 2009 г.
Пресс-релиз
APRIL, 24 Dedicated to... Great KOMITAS
Komitas, a.k.a. Soghomon Soghomonyan, was born on September 26, 1869 in Anatolia, Turkey, in the town of Koutina (Ketaia). His father, Gevorg Soghomonyan was a shoemaker but he also composed songs and had a beautiful voice. The composer’s mother – Tagui - was also singled out for her vivid musical abilities; she was a carpet weaver.
Komitas’s childhood was joyless and full of deprivations. He lost his mother when he was less than one year old, and because his father was too busy his grandmother took care of him. At age 7 Komitas entered the local elementary school. As soon as he finished school his father sent him to Broosa to continue his education. However, he failed and 4 months later he came home having ultimately become an orphan: his father passed away and Soghomon was only 11 years old…
“He was a frail, weak, pale boy, always thoughtful and kind. He was dressed poorly, ” one of his classmates recalled about Komitas.
Soghomon was often seen sleeping on the cold stones of the laundry room.
He could sing perfectly, and no wonder in Koutina he was nicknamed “a little vagrant singer”.
For his delightful voice Soghomonyan was also indebted to an event that fundamentally changed the entire course of his life.
In 1881 the priest of Koutina, G. Dertsakyan, had to leave for Echmiadzin to be ordained a bishop. At the request of the Catholicos he brought the gifted orphan boy with him to study at the Echmiadzin Church Seminary. Twelve-year old Soghomon was selected out of the other 20 orphans to study at the Seminary. As it was forbidden to speak Armenian at that time the boy spoke Turkish and when being greeted by the Catholicos Gevorg IV, he replied, “I don’t speak Armenian, if you wish I will sing”. Then with his fine soprano voice he sang an Armenian sharakan (a church hymn) without understanding the words. Due to his exclusive aptitude Soghomon overcame all the obstacles in a very short time and perfectly learned Armenian.
In 1890 Soghomon was ordained a monk.
In 1893 he finished studying at the seminary, then he was ordained a “Vardapet” (priest) and acquired his new name “Komitas” - the name of the outstanding poet of VII century, the author of sharakans. At the seminary Komitas was assigned to teach music.
Along with teaching, Komitas organized a choir, an orchestra of folk instruments, and treated folk songs; he made the first researches in the field of Armenian Church music.
In 1895 Komitas was ordained an archimandrite. In the autumn of the same year he left for Tiflis to study at the musical college. However, when he met the composer Makar Yekmalyan, who had received his education at the conservatory of Petersburg, he changed his mind and started studying a course on harmony by that composer. These studies became the original forerunner and the firm basis for gaining the European technique of composition.
The further events of Komitas’s life had to do with the large music center in Europe – Berlin, where he went to study under the protection of the Catholicos, being financed by the largest Armenian oil magnate Alexander Mantashyan.
Komitas entered the private conservatory of Professor Richard Schmidt. Within the conservatory Komitas took private classes on singing, elaborating his beautiful voice, fine baritone. Simultaneously with these classes, he also attended the lectures on Philosophy, Esthetics, General History and History of Music. During these academic years he had an opportunity to “communicate” with European music, continually enriching the supply of knowledge, and engaging in musical criticism. Upon the invitation of the International Music Association he held lectures devoted to the Armenian church and contemporary music in comparison with Turkish, Arabic and Kurdish music.
In September 1899 Komitas returned to Echmiadzin and started his musical activity right away. In a short period he radically changed the system of teaching music in the seminary, organized a small orchestra and perfected the performance level of the choir.
He visited various regions of Armenia treating and putting down thousands of Armenian, Kurdish, Persian and Turkish songs……
Komitas, a.k.a. Soghomon Soghomonyan, was born on September 26, 1869 in Anatolia, Turkey, in the town of Koutina (Ketaia). His father, Gevorg Soghomonyan was a shoemaker but he also composed songs and had a beautiful voice. The composer’s mother – Tagui - was also singled out for her vivid musical abilities; she was a carpet weaver.
Komitas’s childhood was joyless and full of deprivations. He lost his mother when he was less than one year old, and because his father was too busy his grandmother took care of him. At age 7 Komitas entered the local elementary school. As soon as he finished school his father sent him to Broosa to continue his education. However, he failed and 4 months later he came home having ultimately become an orphan: his father passed away and Soghomon was only 11 years old…
“He was a frail, weak, pale boy, always thoughtful and kind. He was dressed poorly, ” one of his classmates recalled about Komitas.
Soghomon was often seen sleeping on the cold stones of the laundry room.
He could sing perfectly, and no wonder in Koutina he was nicknamed “a little vagrant singer”.
For his delightful voice Soghomonyan was also indebted to an event that fundamentally changed the entire course of his life.
In 1881 the priest of Koutina, G. Dertsakyan, had to leave for Echmiadzin to be ordained a bishop. At the request of the Catholicos he brought the gifted orphan boy with him to study at the Echmiadzin Church Seminary. Twelve-year old Soghomon was selected out of the other 20 orphans to study at the Seminary. As it was forbidden to speak Armenian at that time the boy spoke Turkish and when being greeted by the Catholicos Gevorg IV, he replied, “I don’t speak Armenian, if you wish I will sing”. Then with his fine soprano voice he sang an Armenian sharakan (a church hymn) without understanding the words. Due to his exclusive aptitude Soghomon overcame all the obstacles in a very short time and perfectly learned Armenian.
In 1890 Soghomon was ordained a monk.
In 1893 he finished studying at the seminary, then he was ordained a “Vardapet” (priest) and acquired his new name “Komitas” - the name of the outstanding poet of VII century, the author of sharakans. At the seminary Komitas was assigned to teach music.
Along with teaching, Komitas organized a choir, an orchestra of folk instruments, and treated folk songs; he made the first researches in the field of Armenian Church music.
In 1895 Komitas was ordained an archimandrite. In the autumn of the same year he left for Tiflis to study at the musical college. However, when he met the composer Makar Yekmalyan, who had received his education at the conservatory of Petersburg, he changed his mind and started studying a course on harmony by that composer. These studies became the original forerunner and the firm basis for gaining the European technique of composition.
The further events of Komitas’s life had to do with the large music center in Europe – Berlin, where he went to study under the protection of the Catholicos, being financed by the largest Armenian oil magnate Alexander Mantashyan.
Komitas entered the private conservatory of Professor Richard Schmidt. Within the conservatory Komitas took private classes on singing, elaborating his beautiful voice, fine baritone. Simultaneously with these classes, he also attended the lectures on Philosophy, Esthetics, General History and History of Music. During these academic years he had an opportunity to “communicate” with European music, continually enriching the supply of knowledge, and engaging in musical criticism. Upon the invitation of the International Music Association he held lectures devoted to the Armenian church and contemporary music in comparison with Turkish, Arabic and Kurdish music.
In September 1899 Komitas returned to Echmiadzin and started his musical activity right away. In a short period he radically changed the system of teaching music in the seminary, organized a small orchestra and perfected the performance level of the choir.
He visited various regions of Armenia treating and putting down thousands of Armenian, Kurdish, Persian and Turkish songs……
Добавлено 28 мар. 2009 г.
SILVER AWARD SUBMITION 2009
Добавлено 28 мар. 2009 г.
Россия, Санкт-Петербирг: 1993 г.
Россия, Санкт-Петербирг: 1993 г. В рвмках фестиваля "Дни Армянской Культуры"
Добавлено 28 мар. 2009 г.
США. Лос-Анджелес: 1994 г.
США. Лос-Анджелес: 1994 г. В рамках фестиваля "Браво Армения"
Добавлено 28 мар. 2009 г.
Дания, Копенгаген: 2005 г.
Дания, Копенгаген: 2005 г. В рамках выставки "Культура Армении"
Добавлено 28 мар. 2009 г.
2003 г. Выставка в доме Союза Художников Армении
2003 г. "Республиканская Молодежная Выставка" Выставка в доме Союза Художников Армении
Добавлено 28 мар. 2009 г.
2003 г. 2004, Выставка в доме Союза Художников Армении
2003 г. 2004, "Республиканская Выставка Графики" Выставка в доме Союза Художников Армении
Добавлено 28 мар. 2009 г.
Художественный мир Меружана Хачатряна это мир гармонии и красоты, и этот мир может стать и вашим.
Меружан Хачатрян родился 26 февраля 1980 года в Ереване, в семье художника. В 2001 году он окончил отделение живописи, училища им. П.Терлемезяна. Принимал активное участие в многочисленных выставках, как индивидуальных, так и совместных, тем самым начав свой продуктивный путь. Его работы находятся в частных коллекциях многих стран мира:
Россия, Греция, Кипр, Франция, Италия, Испания, Португалия, Дания, Голландия, Англия, Ирландия, Индия, Египет, Япония, Китай, Турция, Ливан, Бразилия, США, Канада, Украина, Казахстан, Грузия, Аргентина, Иран, Венесуэла, Израиль, Австралия, Новая Зеландия
и ряд других стран, и конечно же Армения.
С 2004 года Меружан Хачатрян является членом Союза Художников Республики Армения.
Работы Меружана Хачатряна выставлялись:
Россия, Санкт-Петербирг: 1993 г. В рвмках фестиваля "Дни Армянской Культуры"
США. Лос-Анджелес: 1994 г. В рамках фестиваля "Браво Армения"
Дания, Копенгаген: 2005 г. В рамках выставки "Культура Армении"
Армения, Ереван:
2003 г. "Республиканская Молодежная Выставка" Выставка в доме Союза Художников Армении
2003 г. 2004, "Республиканская Выставка Графики" Выставка в доме Союза Художников Армении
2004 г. "Республиканская Выставка Автопортретов" Выставка в доме Союза Художников Армении
2007 г. Выставка под названием "Старый и новый Ереван" в Арт. галерее "Арев-Арт" так же в Мерии г. Ереван
2008 г. Выставка посвященная 75-ти летию основания Союза Художников Республики Армения.Выставка в доме Союза Художников Армении
2008 г. Выставка под названием "Свобода" в Арт. галерее "Арев-Арт"
2008 г. "Республиканская Молодежная Выставка" Выставка в доме Союза Художников Армении
В скорем будущем готовится индивидуальная выставка.
В настоящее время печатается новый каталог и буклет работ Меружана Хачатряна.
Добавлено 28 мар. 2009 г.
Художественный мир Меружана Хачатряна это мир гармонии и красоты, и этот мир может стать и вашим.
Меружан Хачатрян продолжает серию работ посвященную древне Армянскому поэту Наапету Кучаку. Его произведения называлис "Айрен" (Айрены). Айрены - стихотворение, сосотоящее, как правило, из четырех пятнадцатисложных стихов, а так же айрены пелись. Айрены Наапета Кучака были популярны в средневековой Армении. В большинстве древних рукописей айрены не разделены на строчки. Соответственно и на русский язык айрены переводятся либо как четверостишия, либо как восмистишия. Приятного вам созерцания.
Каждая работа из данной серии создана и будет на основании стихов (айренов).
Вот гранат, разрежь,
ты видишь, сколько зернышек внутри, -
За зерно по поцелую,
лишнего мне не дари.
- Я тебя считала умным,
уходи и не дури.
Это слыханное ль дело-
целоваться до зари ? !
Добавлено 28 мар. 2009 г.
Armenia, Yerevan
Отзывы и комментарии
Уважаемый Меружан!
Просмотрел работы! Здорово! Особенно понравился "гранат", посвящённый Наапету Кучаку
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