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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 35.8in, 宽度 46.1in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 抽象主义 抽象主义
The Transfiguration Series works are inspired by memories--mental images of landscapes that are recalled, reimagined and transfigured as paintings. These views are constructed not based on the order they appear in visual reality, but rather after filtering through thought and memory. The works attempt to depict visual recall of a scene(s) in fragmented, [...]
The Transfiguration Series works are inspired by memories--mental images of landscapes that are recalled, reimagined and transfigured as paintings. These views are constructed not based on the order they appear in visual reality, but rather after filtering through thought and memory. The works attempt to depict visual recall of a scene(s) in fragmented, abridged, and altered perceptions reconstituted in one image.
Memories are often inaccurate and biased according to our beliefs, expectations and hopes, as well as our life experiences. How we process visual input is also affected by these personal characteristics. Ask two people to describe the exact same place they have both just visited and you will receive two differing descriptions regarding the details. What we recall, how we recall, and the hierarchy of importance are highly individualized.
These works are relatively devoid of any concrete representation and are intended to hint at rather than specify for the viewer. Functioning as suggestion for thought or feeling, it is up to the viewer to come to their personal conclusions regarding meaning or paths to meaning.
To generate meaning from a non-representational image demands a longer look, a reflection and projection of free thought and associations. They will likely mean something different for each viewer as it is only natural to bring to an image all personal experience and memory. However, it is the process of looking and analyzing your own wonderings that is in itself the message. Look, and look again.
Memories are often inaccurate and biased according to our beliefs, expectations and hopes, as well as our life experiences. How we process visual input is also affected by these personal characteristics. Ask two people to describe the exact same place they have both just visited and you will receive two differing descriptions regarding the details. What we recall, how we recall, and the hierarchy of importance are highly individualized.
These works are relatively devoid of any concrete representation and are intended to hint at rather than specify for the viewer. Functioning as suggestion for thought or feeling, it is up to the viewer to come to their personal conclusions regarding meaning or paths to meaning.
To generate meaning from a non-representational image demands a longer look, a reflection and projection of free thought and associations. They will likely mean something different for each viewer as it is only natural to bring to an image all personal experience and memory. However, it is the process of looking and analyzing your own wonderings that is in itself the message. Look, and look again.
相关主题
马修·安德森是当代屡获殊荣的美国画家。 30多年来，他主要创作油画抽象和水彩风景。就像水彩画一样，他在油中画了几层，有时是半透明的釉料，还有一些使颜料变薄，像水一样流动。就景观与抽象作品的联系而言，该主题更为重要。安德森的抽象是对风景和人物关系的参考。. 马修·安德森 1967 年出生于美国。他在韩国生活和工作。. 国籍: 美国. 出生日期 : 未知日期. 艺术领域：
