让我们知道您是否想看到这件艺术品的更多照片！
- 工作的背面 / 工作的一面
- 细节 / 签名 / 艺术品的表面或纹理
- 情境中的艺术品, 其他...
更多信息
- 包装 (盒子或纸箱包装) 所有的作品都配有优质的承运方，经过严格的包装保护和已投保。
- 监控 跟踪订单，直到包裹交付给买方. 将提供跟踪号码，以便您可以实时跟踪包裹。
- 延迟 大多数包裹在1至3周内在全球范围内交付 (估计)
- 不包括海关 价格不包括海关费用。大多数国家/地区对原创艺术品没有进口税，但您可能需要支付减免的增值税。海关费用（如果有）将由海关在抵达时计算，并由承运人单独计费。
更多信息
- 可追踪的在线真品证书 可以通过扫描插图的代码随时在线验证真品证书。
- 认证评级艺术家 专家研究一个艺术家的工作和职业生涯，然后建立一个独立的，可靠的平均价格值。平均价格价值座落在一个价格范围内的某一时期的艺术家。专家们也可能被要求建立一个更精确的估计为特定的工作。
更多信息
使用SSL证书进行100％安全付款 + 3D Secure.
更多信息
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage： 网络许可证
| 1500 px | ||
|
1250 px |
| 文件尺寸 (px) | 1500x1250 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品，所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改，如重构或重新聚焦图像，使其完全符合新项目要求，但是，禁止进行任何可能损害原始作品的修改。其完整性（形状修改，扭曲，切割，改变颜色，添加元素等），除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内，请联系我们获取定制许可证。
艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 39.4in, 宽度 47.2in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 象征主义 海景
.
At first glance, it's just deserted landscapes painted in oil on canvas. But if you turn off the light, the day will turn into night and we will see the light of the moon on the waves. It is written with a transparent phosphor on top of the main paint layer. Night is the oldest symbol of death. But we are never left in the dark. The moon, reflecting the light of the sun, illuminates the landscape, gives us hope and reminds us that night always gives way to day. Just as death will be replaced by a new life..
.
The picture is painted with the use of Masha's proprietary technology. It glows in the dark, because of luminophore.
.
The luminophore is covered with a transparent varnish. It is absolutely safe and stable. In order to glow in the dark, the picture must be in daylight (from a window or lamp) to charge the luminophore. In the darkness the landscape will glow for 5 to 8 hours with gradual fading. The exact time and brightness of the glow depends on the strength and duration of charging from the light.
.
(The luminophore is not phosphorus. It is 100 % safe)
.
The glow looks very natural. It resembles moonlight falling from a window. The glow will be bright enough to admire the picture, while not interfering with sleep and evening rest in the room.
相关主题
Hi, I'm Masha Danilovskaia. I'm an artist. I work with graphics, painting, ceramics. I am looking for my own expressive language, reflecting on the relationship between man and nature.
I graduated from the Moscow State Art School in memory of 1905, specializing in painting. I studied at the All-Russian Institute of Cinematography at the art faculty, studied Russian Iconography at the Moscow Institute.
My post-student travel experience also had a strong influence on me. My husband and I hitchhiked around Norway, lived in Nepal and the Philippines, and worked in an art gallery in China. My love for textures, graphics, bright colors, tropical vegetation comes from there.
Since 2023 I am a resident of Postrigay Gallerie in Moscow. Participated in fairs win win, Catalog, participant of "EcoArt" residency from the Museum of Nonconformism in St. Petersburg, Goethe Institute and French Institute in Russia.
The central theme of my artistic practice is the search for the image of a lost Paradise, to which man seeks to return in order to restore his connection with nature, with the harmony of the world. It is an ideal environment of balance and peace. By coming into contact with it, man could finally exhale, get out of the race, remembering the beauty that surrounds him.
I strive to construct pictorial and sculptural compositions in such a way that they can become an excuse to slow down, to focus attention, to ground oneself, to immerse oneself in methodical contemplation. To create these layered visualities, I work with sketches in a digital collage format, designing tiny elements of the composition from fragments of my graphic works in ink.
In creating my worlds, I find inspiration in Christian cosmogony and in natural ecosystems and the processes of life's renewability. I strive to capture the fragile but very durable harmony of natural kingdoms - a natural balance that reflects the image of the original world. Man in this environment is not the ruler of the world, but an attentive, active gardener. He asks himself about his responsibility to his garden, he asks himself about his own free will. He is a kind of middle figure, marking the point on the border between the anthropocentric model of the world and the Deleuzian image of the rhizome culture.
Masha Danilovskaia，受大自然启发的艺术
