White Tulips: Receivership (2023) 图画 由 Marjolein Gamble

铅笔在纸上, 29.9x20.9 in
US$1,000
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  • 原创艺术品 (One Of A Kind) 图画, 铅笔 在纸上
  • 外形尺寸 高度 29.9in, 宽度 20.9in
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  • 分类 画图 低于US$5,000 象征主义
In Meditation, receivership or gratitude is considered to be one of the most auspicious states of being that can initiate a positive change in our life. Here the tulips, collectively, (could) symbolize the different and often competing aspects and elements of our inner nature. They are literally “reaching for the sky” or moving[...]
In Meditation, receivership or gratitude is considered to be one of the most auspicious states of being that can initiate a positive change in our life.
Here the tulips, collectively, (could) symbolize the different and often competing aspects and elements of our inner nature.

They are literally “reaching for the sky” or moving beyond themselves. It is like finding a higher or more cosmic dimension that unifies them and in us (continuing the metaphor) it can create a more expansive state of being. It is a metaphor for becoming more integrated and whole by means of reaching beyond ourselves.

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I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the[...]

I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, straight out of High School. I am still living here!

Most of my life I have taught children at both preprimary and preparatory level, which included a lot of arts and crafts. I developed creative moving toys with woodwork equipment and machinery with adults and disadvantaged youth over the years, much of it painted and with simple mechanical movements. I spent a year at Emerson College, (Sussex, U.K.) in 1974 learning woodwork and doing watercolor painting amongst other things.

I am, since 1996, teaching yoga in my own home-studio. In 2013 I started “carte-blanche” a design business using local African fabrics with the objective of creating work for local seamstresses and artisans. This came to an end with the Pandemic in early 2020.

After a lifetime of teaching others arts and crafts the Pandemic afforded me the opportunity to clear my “carte-blanche” studio and get back to my own artistic endeavours. I started with pencils (as I had designed bright blank cards and note-books in colourful pencil designs for “carte-blanche)”. It was a natural extension and new as I had done wood carving in the past.

In 2016 I wrote and illustrated my own children’s story: “The little Lemon Tree that stood.”

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