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From Fragmentation to Wholeness (2023) 图画 由 Marjolein Gamble
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原创艺术品 (One Of A Kind)
图画,
铅笔
在纸上
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外形尺寸
32x27 in
单独工作的尺寸，不带框架： 高度 31.1in, 宽度 26in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (Floating Frame)
- 分类 画图 低于US$5,000 抽象主义 几何
Out of that picture this composition arose like a design of circling parts of a potential acrobat figure or a complete toy.
It is a rather tight design, busy yet consistent with many colours drawn together against a flat, contrasting background expressing a sense of continuous movement. For me it is a design in its own right. It is one of my latest works exemplifying a sense of joy and lightness.
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I was born and raised in The Netherlands soon after world-war two by two different families as my mother died when I was five years old. I arrived in Cape Town, alone, at the age of 17 in the middle of the sixties, straight out of High School. I am still living here!
Most of my life I have taught children at both preprimary and preparatory level, which included a lot of arts and crafts. I developed creative moving toys with woodwork equipment and machinery with adults and disadvantaged youth over the years, much of it painted and with simple mechanical movements. I spent a year at Emerson College, (Sussex, U.K.) in 1974 learning woodwork and doing watercolor painting amongst other things.
I am, since 1996, teaching yoga in my own home-studio. In 2013 I started “carte-blanche” a design business using local African fabrics with the objective of creating work for local seamstresses and artisans. This came to an end with the Pandemic in early 2020. In 2016 I wrote and illustrated my own children’s story: “The little Lemon Tree that stood.”
After a lifetime of teaching others arts and crafts the Pandemic afforded me the opportunity to clear my “carte-blanche” studio and get back to my own artistic endeavours. I started with pencils (as I had designed bright blank cards and note-books in colourful pencil designs for “carte-blanche)”. It was a natural extension and new as I had done wood carving in the past.
