Master & Servant arrive (1985) 绘画 由 Male Beauty Forum Lifestyle

  • 原创艺术品 绘画,
  • 外形尺寸 高度 38.1in, 宽度 48in
  • 分类 画作 低于US$20,000
Japanese art inspired oil on Masonite "Master & Servant arrive" 关于这件艺术品: 分类, 技术技巧 & 款式. 油. 由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起,形成坚固耐用的衣架。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. 相关主题. Japanese Art.
Japanese art inspired oil on Masonite "Master & Servant arrive"

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Japanese Art

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Several factors contribute to what makes good wall art, including:. 1. Visual Appeal - Wall art should be visually appealing and engaging. This means that it should have an interesting composition, use of color, [...]

 Several factors contribute to what makes good wall art, including:


1. Visual Appeal - Wall art should be visually appealing and engaging. This means that it should have an interesting composition, use of color, texture, and pattern that draws the viewer's eye.

2. Emotional Connection - The best wall art often creates an emotional connection with the viewer. It might evoke a feeling of joy, nostalgia, inspiration, or contemplation.

3. Quality - High-quality wall art should be well-made with attention to detail. This includes quality materials, a durable frame, and precise printing or painting techniques.

4. Theme and Style - Wall art should be cohesive with the theme and style of the space it is being displayed in. This means considering factors such as the color scheme, furniture style, and overall mood of the room.

Ultimately it comes down to each individual's taste; and what they like to see in their living environment.

The Shamanic Journeying-inspired artwork surface is where you tend to look when you first gaze at the work; however, there is more to it than meets the eye: since another story/narrative is going on behind the surface.
I use archetypes more robustly as universal, archaic patterns and images that derive from the collective unconscious.

I keep a visual diary about how I feel about things in graphic form instead of words/text.


Every image is many months of long digestion of an idea that goes to drawing, then mostly painting format. A form of Coin mining of Intellectual property., on the Ethereum Blockchain via smart contracts.
My way of Surrendering the ego and all the connections to the ego; is that it represents the conscious mind, while the personal unconscious contains a wealth of memories I can tap into like all other artist types. Memories like totemic, which I like a lot and have always had near me; all of which can serve as an excellent source for a topic in the visual narrative I use
.
And yes, the collective unconscious is a unique component since it is part of the psyche reservoir that can serve an artist with a form of psychological inheritance shared by the collective psyche of humankind..... deep but true.


In the trending Nova Scotia Artist Gallery of French Acadian painter Claude Edwin Theriault, there is an extensive collection of artworks from 1980-present.

I use mostly Male Nudes; they are my standard animal totem Icon visual prop. I use them a lot in my visual narrative; however, a large part has re-occurring Allies like Owl, Cheetah, Sea-Horse, Raven, to the snake in the Hylas and Hades underworld artworks found here online. Oil paintings, silkscreens, etchings, lithographs, and drawings are in all mediums.

All illustrate a Shamanic narrative in a visual language instead of the written one. Something the new Digerati Intellect can appreciate.

Initially inspired by the ...first Nations artwork style you see in Abeam of Cape Blomidon's Sleeping Haida Moon/ to the current Shamanic symbolist style ...



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