The Golden Sheep (2020) 图画 由 Linda Schneider
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图画,
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在纸上
- 外形尺寸 高度 14.5in, 宽度 10.6in
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- 分类 画图 低于US$1,000 观念艺术
Inks, watercolour, wet and dry graphite, charcoal, watercolour, and copper-leaf on French Arches watercolour paper.
I leaned heavily on the beautiful paintings of Willem-Adoplphe Bourguereau for the sheep's body and the hand's that hold the sheep. The hands of the sheep are wrinkly, old and worn because I used my own as the model for the texture of the skin. I thought it would be an interesting feature to show something old merged with the young. My hands were also readily available for models.
The Golden Sheep is a tribute to my childhood and ancestral past. My father's side of the family were German immigrants to Australia in the mid 1880s. My grandfather (born 1871), descended from these immigrants, managed a Eucalyptus distillery in a very remote part of Victoria Australia near a farming community called Antwerp. When the distillery was closed, he was given a parcel of the land used for harvesting the leaves, for his own. He and my grandmother cleared the land for farming, I can only presume what they grew on the farm, but my father grew wheat, barley, oats and cattle and sheep.
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I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in the school library. I was not very disciplined and spent most of my time looking through Art books. Later, I completed a Diploma in Fine Art (Painting), and a Graduate Diploma (Sculpture). Wanting to travel, I gained further qualifications in teaching, linguistics, and languages.
My work is largely auto-biographical and incorporates elements of my history and my future goals – even before I am consciously aware of these goals or historical references myself. I am currently drawing with a variety of mark-making media, and painting in both acrylic and oils.
I believe that practice, and physiological and mental predispositions, combined with life and incidental circumstances, confirm the direction and so-called talent of any individual. As humans who have evolved and endured, we sought patterns in nature which helped our species to survive. Now we revive those patterns in our culture. We see relationships everywhere; in nature, mathematics, science, storytelling, music and in the visual arts etc. We often are unconsciously aware of these patterns.
