"white"
Collages su Tela | 23,6x23,6 in
1.678,89 USD
5 opere da Laura Pitingaro (Selezione)
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"vittime e carnefici"
Collages su Tela | 27,6x27,6 in
2.355,27 USD
"leaf"
Collages su Tela di lino | 23,6x23,6 in
1.291,28 USD
"woman in charge"
Collages su Carta | 27,6x39,4 in
858,66 USD
"Monolocale"
Collages su Tela | 23,6x23,6 in
2.003,9 USD
Riconoscimento
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Biografia
I currently live and work in Palermo. After studying painting at the Academy of Fine Arts, I perfected my technique and style by attending various courses. Among them are the International Superior Course of Visual Arts at Ratti Foundation, with teacher Anish Kapoor and Karel Appel; and The Globality and Expressions of Body Languages at Assisi Cittadella Center.
Over the years, I have participated in group and individual exhibitions, working with musicians and actors on the realization of performances in public and private contexts. My later production is characterized by various approaches, including painting and site-specific installations.
I am currently working on a painting and video sound sensory installation, my project focusing on the relationship between imagination and survival in the natural and human world.
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Nazionalità:
ITALIA
- Data di nascita : data sconosciuta
- Domini artistici:
- Gruppi: Artisti Italiani Contemporanei
Influenze
Formazione
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Valore dell'artista certificato
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Realizzazioni
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Attività su Artmajeur
Ultima data di modifica: 2 nov 2023
(Iscritto dal 2021)
Visualizzazioni dell'immagine: 5.370
Opere di Laura Pitingaro aggiunte alle raccolte preferite: 3
Ultime notizie
Tutte le ultime notizie dall'artista contemporaneo Laura Pitingaro
Aggiunto il 21 dic 2021
Andata e ritorno (round trip her) is a multimedia narration and internalisation of the artist’s journey through grief. The video installation tells the story of a loss, that of one’s parents, and fully surrounds the body of the viewer at a synesthetic level. In front of the viewer’s eyes slide images of clouds passing by, registered by the artist while travelling to see her mother one last time. The clouds are projected onto a garment that belonged to the woman, still impregnated with her scent. On the sides are drawings of both parents and of clothes belonging to the artist’s father. On an auditory level, the viewer is subjected to various stimuli: heartbeats, airplane engines, a piece of music, cicadas, bells; each with its symbolic meaning. Viewers and their emotions are part of the narration, which is not confined to private grief: the artist’s personal sorrow is rather an invitation to a shared journey that rationalises loss and absence.
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