





Tree of the World (2017) 绘画 由 Larisa Ruy
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
- 外形尺寸 高度 35.4in, 宽度 35.4in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 象征主义 神秘主义
Canvas, acrylic, potal
90×90 cm
Original work, author’s technique
2018
(acquired by a private collector in the United States)
This piece is built upon the archetype of Yggdrasil — the World Tree of Norse cosmology.
More than a mythic element, it represents the vertical axis of being, uniting three layers of existence: the earthly, the celestial, and the underworld. A symbol of life, fate, and continuity — all held within a single form.
The composition is designed as a spatial code.
It may be displayed in two orientations — with the branches upward or the roots upward — depending on the intention of the space. One position invokes ancestral energy and potential; the other — grounding, protection, and systemic strength. Rotation (clockwise only) becomes a conscious gesture, an act of directional choice.
During the creation process, a curious moment occurred:
a thin veil of smoke appeared in the room — without source, scent, or reason.
Not fire, not incense — only presence.
A quiet sign that the symbol had begun to interact with space.
This is not a decorative object.
It is a structural presence, designed to embed itself into the environment —
and shift it, subtly and deeply, from within.
相关主题
I am Larisa Ruy — a contemporary artist creating my own visual language.
My path did not begin with academies, but with deep inner research. I have never followed trends. Instead, I created my own technique by combining oil painting, bas-relief, gold leaf, and texture into one symbolic form.
I work in symbolism. Each of my artworks is a layered story — a code of strength, intuition, and transformation. My art is not decoration. It’s energy that reshapes the space.
Collectors, visionaries, diplomats — those who sense depth beyond words — are drawn to it.
My works are held in private collections in the USA, Germany, Switzerland, UAE, India, and Ukraine.
For me, art is not noise. It is silence you want to fall into.