(id)eograms For Transcribing Dreams #3 (2019) 雕塑 由 Kristopher Lionel

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Christopher Brown. '(id)eograms For Transcribing Dreams #3'. 2019. Oil and Glue on Paper Veneered to Panel, Mahogany, Plywood, Epoxy Resin. 10.75 x 16.25 x 1.75 Inches. The works in the series '(id)eograms For Transcribing Dreams' are influenced by both the Surrealist concept of automatism and the id (that part of the[...]
Christopher Brown. '(id)eograms For Transcribing Dreams #3'. 2019. Oil and Glue on Paper Veneered to Panel, Mahogany, Plywood, Epoxy Resin. 10.75 x 16.25 x 1.75 Inches.

The works in the series '(id)eograms For Transcribing Dreams' are influenced by both the Surrealist concept of automatism and the id (that part of the mind in which innate instinctive impulses and primary processes are manifest). Each piece features "automatic drawings" created with poured glue that, when dry, form raised, embossed, shapes. The pouring of glue limits my control over the process and puts distance between direct, conscious intention, and the outcome. The openness of this approach allows the subconscious to reveal itself. The drawings become evocative symbols, pictographs, letters of a repressed alphabet, or ideograms that, when arranged together, to suggest the iconography of dreams.

*Please Note:

'(id)eograms For Transcribing Dreams #3' features plywood borders that served to create reservoirs into which catalyzed epoxy resin, clear finish was poured; these individual panels were then permanently set into borders of mahogany. In this process, the resin captured the 'frame' making it a permanently integrated/joined, part of the work that can not be removed. The work arrives ready to hang.

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AbstractAbstract ExpressionismSurrealSurrealismAbstract Art

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克里斯托弗布朗是一位当代美国艺术家。布朗的世界观受到了自然的轻柔但实质上的启发,因此,他的生活和艺术都以自然为指导。他的创作过程在向外凝视和向内转之间交替。多年观察和分析自然界变化和衰退的原因和影响,让他清楚地意识到我们已经和继续对地球造成的损害。他的艺术为他提供了出口和解毒剂(在他的寓言、快乐战争绘画和他的抽象作品之间转换)。

克里斯托弗布朗是一位当代美国艺术家。布朗的世界观受到了自然的轻柔但实质上的启发,因此,他的生活和艺术都以自然为指导。他的创作过程在向外凝视和向内转之间交替。多年观察和分析自然界变化和衰退的原因和影响,让他清楚地意识到我们已经和继续对地球造成的损害。他的艺术为他提供了出口和解毒剂(在他的寓言、快乐战争绘画和他的抽象作品之间转换)。

向内转身,沉浸在抽象表现主义中,为他提供了安慰。在他的作品中探索形状、颜色和线条的重复,以及在他的艺术中解析层次和视觉空间,是他摆脱世界重压的口头禅。他开始将他的抽象画视为“眼睛的音乐”,其中形状、颜色和线条完全是表现主义的音符,偶尔会与具象的画面混合,似乎是诗意的歌词。

克里斯托弗·布朗出生在美国。布朗参加了纽约奥尼昂塔哈特威克学院的艺术课程,并在那里获得了学士学位。然后,他去了密苏里州圣路易斯的华盛顿大学,并在那里获得了硕士学位。


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