© 2024 Kris Kim
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© 2024 Kris Kim
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SIC SEMPER ERAT, ET SIC SEMPER ERIT (2024) 绘画 由 Kris Kim
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这件艺术品出现在1集
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原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 118.1in, 宽度 330.7in
- 是否含画框 此作品未装裱
- 分类 画作 从US$20,000 古典主义 历史
SIC SEMPER ERAT, ET SIC SEMPER ERIT. -"Thus it always was, and thus it always will be.". This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through the proliferating abstraction. Each piece of work is open-ended, unfolding through [...]
SIC SEMPER ERAT, ET SIC SEMPER ERIT
-"Thus it always was, and thus it always will be."
This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through the proliferating abstraction. Each piece of work is open-ended, unfolding through the interplay of data, form, and perception while existing in a state of flux.
*Certificate of authenticity included
*Consists of 5 panels
*Rolled canvas with edges for mounting
-"Thus it always was, and thus it always will be."
This painting shows data visualization incorporating semiotic and non-linguistic information on the tessellated plane. The process evolves by reinterpreting and reshaping it through the proliferating abstraction. Each piece of work is open-ended, unfolding through the interplay of data, form, and perception while existing in a state of flux.
*Certificate of authenticity included
*Consists of 5 panels
*Rolled canvas with edges for mounting
相关主题
古典主义
blackandwhite
text
language
time
mythology
myth
light
stripe
line
minimalism
impressionism
abstract
abstractexperssionism
Kim is a cross-disciplinary artist, currently working on themes that illustrate the inter-genre connections between languages, mathematics, multisensory installations, and visual culture. Also, in many of Kim's [...]
Kim is a cross-disciplinary artist, currently working on themes that illustrate the inter-genre connections between languages, mathematics, multisensory installations, and visual culture. Also, in many of Kim's works, drawing inspiration from the narrative and symbolism of ancient mythology, the thematic core renders the artwork as a contemporary relic or monument—an embodiment of the new antiquity. The architectural configuration, characterized by vertical, sharply cut shapes reminiscent of lithologic pillars or colonnades, not only nods to the grandeur of ancient temples but also imparts a timeless quality to this modern composition.
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