
Artworks Collections FOUND OBJECT INTERVENTION ON METAL HUMAN FACE EXPRESSIVITY LOST ANCIENT TRACE M (2010) Installazione da Kloska Ovidiu
Acquista una licenza per utilizzare questa immagine per il tuo sito web, la tua comunicazione o per vendere prodotti derivati.
Usage: Licenza internet
1066 px | ||
![]() |
1500 px |
Dimensioni del file (px) | 1066x1500 |
Utilizzazione in tutto il mondo | Sì |
Utilizzazione su un multi-supporto | Sì |
Utilizzazione su un qualsiasi tipo di supporto | Sì |
Diritto di rivendita | No |
Numero massimo di stampe | 0 (Zero) |
Prodotti destinati alla vendita | No |
Scarica subito dopo l'acquisto
Quest'immagine è disponibile per lo scaricamento con una licenza.: puoi scaricarli in qualsiasi momento.
Restrizioni
Tutte le immagini di ArtMajeur sono opere d'arte originali create da artisti, tutti i diritti sono strettamente riservati. L'acquisizione di una licenza dà il diritto di utilizzare o sfruttare l'immagine sotto i termini della licenza. È possibile effettuare piccole modifiche come il riquadro o la rifocalizzazione dell'immagine in modo che si adatti perfettamente ad un progetto. E' tuttavia vietato apportare qualsiasi modifica che possa danneggiare l'opera originale nella sua integrità (modifica delle forme, distorsioni, taglio, cambio di colori, aggiunta di elementi, ecc.), a meno che non venga prima ottenuta un'autorizzazione scritta dall'artista.
Licenze personalizzate
Se il tuo utilizzo non è coperto dalle nostre licenze standard, contattaci per una licenza personalizzata.
Banca d'immagine d'arte-
Opera d'arte originale
Installazione,
Oggetti trovati
- Dimensioni Altezza 27,6in, Larghezza 18,1in / 5.00 kg
- Categorie Astratta
INTERVENTION ON FOUNDED RUSTED METAL , OIL PAINTS painting , varnished, fixed on wood / framed, ready to hang !
painting size: 30 x 55 x 0.3 cm
framed size: 46 x 70 x 4 cm
signed on the front and back side / will be sent with authenticity certificate
"Kloska, seeking the road to Damascus
Certainly, the art signed by Kloska is taking part into the creators major effort to detect and express the essences of human beings, just as it shaped by the all times. Fallen into the subject of the temporal, in a sub-solar space, the humanity find itself forced to twist its spirit, almost mutilate it, referencing to the crossed historical and moral times.
The perpetual metamorphosis of the spirit produced visible traces, often even into the meat surface, at the human figure, where the artist Kloska searched and seacking to capture, through specific tools or effort, almost demiurge, kneading whole inner man, subconsciously placed beyond .
Whether artistic expression occurs in stone, metal or on canvas, she plays, possibly, a certain portion of the mystery that lies in nuce, in the most hidden place of human beings, where the spirit - today as a mustard bean detached from the universal primary fire - is still flashing and keep alive the being state of human nature, spoiled by the original divine gesture of unique genesis.
Undoubtedly, the human universe is as exciting to explore as the outside world as human beings, taking, however, urging the ancient Elders, who left at some point the investigation of the macrocosm in favor of the research of the microcosm typical to human being, so Kloska is taking this route of the ancients over the light of modern art, showing, following the impression that he left to us, as he is founding himself in a deep search of that THING of which many others turned to long time ago before him, respectively the Absolute detection.
Artistic methods means no comment, they completely belong to the author, who seems to be stuck in a sustainable areas, by the very matter in which his artistic approach consists in stone,and also in metal. So is also added, the dimarch on canvas witch is transposing the same stihial trend, detected in the works that had as the base the stone, as it is finded molded by Other hands, namely of the Creator himself.
The acquisition of divine design and the self try to remake a route to the being roots of the humanity - when, she was still finding in her lighter period - is representing a titanic effort for every artist; so, that's why Kloska himself, taking part at the same investigation, he is working a lot, reminding us of the sisific effort of the mythical character, the same of witch we should imagine happy, especially in the time that he was coming down from the top of the mountain to the base of it, for reassuming the eternally effort.
The throes caught by the artist , on the faces fixed in stone, metal or on the canvas, are showing us the exact last stage of the human existence before the Apocalypse, the event announced not only by the Bible but also by many other great book of humanity, in different times and particular moments; placing us in a spiritual level, where is proper to insist on the idea of the extinction of the actual human kind - the extinction announced also by the Kloska's artworks - in the sens that is not about a biological disparition, on contrary, pointing to a radical metamorphisms of the world, at a specific moment, so as to have the possibility to reborn again complete, rounded,perfect, as at the beginnings, when it was saying, that it was traversing an absolute age, perfect in all respects, unaltered by further progress subject to time devorated consuming.
Hope that will come a time when mankind will radically transform itself, is rendered by the Angels's world that crossing the creations of Ovidiu Kloska, a sensed world, based on the true believe of a superior existence to which human beings can tend to their path to Eternity.
Kloska is an young artist, noted already in the so demanding world of the artists. He is continuing to seek the road to Damascus, but on witch we are confident, that one day, he will have the happiness to know it."
Prof.dr.Fl.Agafitei - writter, indianistic expert
Temi correlati
Kloska Ovidiu è un'artista rumena contemporanea. Il suo linguaggio visivo si relaziona con i sogni, l'incoscienza, il delirio, l'allucinazione, con il cambiamento di forma e di luce, con lo spontaneo, l'illusione, il bizzarro, l'anormale e il normale.
Ovidiu sta lavorando con diversi mezzi tra cui pittura, fotografia e scultura. I suoi drammatici dipinti acrilici su tela ricordano magnifici artisti come John Martin e JMW Turner. Nel frattempo, i suoi scultori in ferro sono opere astratte e industriali che classifica come appartenenti agli approcci stilistici del brutalismo e del decostruttivismo.
Kloska Ovidiu è nata nel 1977, in Romania, dove si è laureata presso l'Università delle Arti. Membro dell'Unione Rumena degli Artisti Professionisti UAP.
-
Nazionalità:
ROMANIA
- Data di nascita : 1977
- Domini artistici: Opere di artisti professionisti,
- Gruppi: Artista professionista Artisti Contemporanei Rumeni