La Mer III (2018) Arts numériques par Klaus Rudolph
Vendu par Klaus Rudolph
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Édition limitée (n°1/8)
Arts numériques,
Travail numérique 2D
sur Papier
- Dimensions Hauteur 15,8in, Largeur 24in
- État de l'œuvre L'oeuvre est en parfait état
- Encadrement Cette oeuvre n'est pas encadrée
- Catégories Arts numériques à moins de 1 000 $US Expressionnisme Poisson
They are equally a kind of modern digital cave painting,
inspired by the Stone Age cave paintings of Altamira.
The Altamira Cave near the town of Santillana del Mar in Cantabria, Spain, 18 miles west of Santander, is known for its Stone Age cave paintings. Like the Chauvet Cave, it belongs to the perimeter of Franco-Cantabrian cave art and is part of the UNESCO World Heritage.
The cave contains about 930 Paleolithic images, including incised drawings, pure charcoal drawings and colored representations. Depicted are deer, bison, hinds, horses and wild boars. Charcoal was used, as well as red chalk, black manganese clay, and various shades of ocher mixed with fat or egg white. Feathers were probably used to apply the paint. But also colored pencils and tubular bones, through which the dye was blown up or a color application by hand were possible.
The series of images owes its name, La Mer, to the wonderful chancon by Charles Trenet (1913-2001).
All images were completely created on the computer.
To convert them into the analog world they are printed on fine art paper with pigmented inks.
For the 15.75 x 24.02 inch (Has a white border with matte finish on each side) edition, there will be a limited edition of only 8 copies of "La Mer III". Once all 8 prints in this size are sold out, there will be no further prints of "La Mer III" in the 15.75 inch height by 24.02 inch width size.
The edition is printed on a 300+ gram, natural white, acid-free, museum-quality paper with a matte, soft grained texture.
The mixture of this paper and the pigmented inks guarantee a high protection against UV radiation and a great durability of the image.
Each image of the edition has a consecutive numbering on the back and is signed by hand.
Thèmes connexes
About Klaus Rudolph
Since his early youth he was theoretically and practically engaged in fine arts. He created photographs, photorealistic graphics, oil paintings and sculptures.
1988-1989: Scholarship for photography from the Hamburg Foundation for Science and Culture.
1989-1995: Reportage and portrait photography for magazines such as Stern and Spiegel, among others represented in the publication" The image of man, 50 years of the magazine Stern: The best photos".
Since 1992: Artist photography for the Kölner Philharmonie, the Ensemble Musikfabrik, the Philharmonie Essen, the Alte Oper Frankfurt, the Konzerthaus Dortmund, the Berliner Philharmonic Orchestra, WDR Cologne, Bavarian Radio, Carnegie Hall New York, the Chicago Symphony Orchestra, record companies such as Deutsche Grammophon, Warner Classics, EMI Classics, ECM, Denon and Capriccio, various specialist magazines such as Fono Forum, Gramophone (UK), Die Bühne (Austria) and Joy Classic (South Korea), music publishers as well as artists' agencies, weekly magazines and daily newspapers.
2016: Appointed member of the German Society for Photography (DGPh).
For several years, in addition to photography, he has focused on artistic works created on a digital level.
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Nationalité:
ALLEMAGNE
- Date de naissance : 1964
- Domaines artistiques: Oeuvres d’artistes professionnels,
- Groupes: Artiste professionnel Artistes Contemporains Allemands
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