Spectral Express 17 (2025) 数字艺术 由 Ken Grzesik

美术纸, 8x10 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 分类 波普艺术 行业
Spectral Express 17 features a striking depiction of oil transport cars under a dramatically colored sky. The use of vibrant colors like orange, purple, and green creates a surreal atmosphere, transforming a mundane scene into something extraordinary. The composition focuses on the alignment of the train cars and tracks, providing a sense of depth [...]
Spectral Express 17 features a striking depiction of oil transport cars under a dramatically colored sky. The use of vibrant colors like orange, purple, and green creates a surreal atmosphere, transforming a mundane scene into something extraordinary. The composition focuses on the alignment of the train cars and tracks, providing a sense of depth and motion. This style uses high saturation and color inversion to generate an impactful visual experience. The artwork explores themes of industrialization and movement. Color choices suggest an exploration of perception and reality. The piece experiments with color theory and its effects on mood and interpretation in visual art

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SatireColorfulTrainTechnologyEnvironment

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Degrees:. B.F.A., Northern Illinois University, DeKalb, 1974. M.A., Northern Illinois University, DeKalb, 1977. C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic [...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic Achievement


I think it's possible that beauty can save the world. Then will come a time when civility, reason and respect will replace fear, loathing and mad dog greed. Art will be life and life will be art. That's where I come in. I'm an artist. I promote beauty and creativity with an open mind and a love of nature. My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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