SCF Sighting #1 (2023) 数字艺术 由 Ken Grzesik

美术纸, 8x11 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 插图 科幻小说
The Real SCF Story is a product of the imagination. Rest assured there are no. super colossal flowers zooming around. What if there were? How would people react? Those burning questions are addressed in words and imagery. As the story opens a black swan event of giant tulips emerging suddenly has scientist baffled. Meanwhile, each news media outlet [...]
The Real SCF Story is a product of the imagination. Rest assured there are no
super colossal flowers zooming around. What if there were? How would people react? Those burning questions are addressed in words and imagery. As the story opens a black swan event of giant tulips emerging suddenly has scientist baffled. Meanwhile, each news media outlet reports it from the perspective of it's own ideological bias.

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FantasyNarrativeStoryFlowersWhisical

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Degrees:. B.F.A., Northern Illinois University, DeKalb, 1974. M.A., Northern Illinois University, DeKalb, 1977. C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic [...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Institute of Technology, 2008, President's List for Academic Achievement


I think it's possible that beauty can save the world. Then will come a time when civility, reason and respect will replace fear, loathing and mad dog greed. Art will be life and life will be art. That's where I come in. I'm an artist. I promote beauty and creativity with an open mind and a love of nature. My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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数字艺术 | 多种可选的尺寸
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