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原创艺术品
拼贴,
照片
- 外形尺寸 高度 31.5in, 宽度 31.5in
- 分类 拼贴画 低于US$5,000 形象艺术
Before photography was invented, the depiction of landscapes were in the hands of artist who painted or made sketches. As every person has a subjective and own way to look at the world – and merely the artists, who dedicate themselves to this fact as a consequence of their profession much more to this than all others – any of these glances at the world, always contain traces of subjectivism and their own approach.
In fine arts as well as in literature, it is highly seductive to add or invent something in addition to the reality that really is there. We owe it to this beautiful human attribute, that important movements of art came into being as there are symbolism, impressionism, fantastic realism and so on.
Since the invention of photography, it took over these attributes from the paintings and with the options that came on top for manipulating pictures, it came into our daily life. Only the computer makes manipulation possible that are so perfect that they can not be revealed as to be manipulations – a perfect illusion.
The series “Magic landscapes“ does not claim to be a documentation of some landscape but first of all, is made for describing an emotional state of mind.
The picture is exposed in a profi laboratory for artists from canvas and mounted on 4 cm thick wooden frames. Image is protected with a protective lacquer.
Ready to Hang
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Andrej Barov is a German photographer and art painter. He has had over 120 exhibitions in Europe's museums and art galleries.
The world represented by the works of Andrej Barov seems strange and bent at first glance. Suddenly we realize something familiar to us, and an effect of déja-vu arises.
Barov deals in his art not with the image of the visual reality that our eyes provide but with the impression of what corresponds to our cultural memory. Whether historical allusions, fragments of works of art or media phenomena, everything we have created with our human creative spirit, is the reality Andrej Barov is looking upon. In this sense, his artistic process is a look on the inside, into the depths of our brains and our collective memory. He tries to explore the relationship between media and historical events, revealing interesting parallels and showing a mirror of past and present. With his projects, he also deals with the aspect of presenting a suitable appearance and reasonable visual language that make this adventure possible. With considerable knowledge and technical precision, he formed elusive nuances of our conscious; exciting images that evoke countless reactions within us and bring up materializations in our subconscious. In this exciting worldview, today meets tomorrow and the past is changing unnoticedly from the present to the future.
Professor Dr. Dr. Christian Moosbrugger, Vienna
Psychologist and Professor of Art History
