Window Scene (2023) 绘画 由 Katia Ansky
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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| 1136 px | ||
|
1500 px |
| 文件尺寸 (px) | 1136x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 47.2in, 宽度 35.4in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 表现主义 肖像
Biographical information
Born in 1983 in the Soviet Union in a peripheral industrial town on the Urals, she repatriated to Israel after the collapse of the USSR in 1999. She grew up with her younger brother in a mixed Russian-Jewish family. Her father's origin and national affiliation were carefully concealed by her grandmother Katerina for safety reasons, due to possible persecution from anti-Semitic sentiments in society. Thus, until the age of 16, Katya lived the life of a provincial girl completely immersed in the hardships of survival against the backdrop of an economic crisis in the country, rampant crime, and total impunity of the corrupt sector of power.
Integration into Israeli society was difficult, long, and hard, but despite everything, the passion and love for art outweighed the rest of her life goals. In Israel, family secrets related to the history of the Jewish family were revealed; her grandmother (Raisa Vulfovna Pushchanskaya) told about a family connection with Semyon An-Sky (born Shloyme-Zanvl Rapoport), the author of the famous play "The Dybbuk." Having no material or practical support, this abstract story of a distant relative became a support and guideline in Anskaya's creative search.
Artistic work
Anskaya is a figurative painter whose entire body of work is closely tied to the reality and topicality of the objects and subjects depicted. She works in the style of the "New Barbizon," which is a form of painting practice that emerged in Israel, created by a small group of female artists (also repatriates) that combines the foundations of construction accepted during the era of socialist realism and integrates into it the Israeli color palette, with its characteristic contrasting (southern) lighting and bright open colors. Thus, the "New Barbizon" is a naturalistic figurative painting style with a bright, recognizable style that is interested in social, modern life, marginalization, and artistic aesthetics. The distinctive feature of the style is the rule of using a live model for all elements of the composition and, quite literally, a ban on drawing from photos, as the main goal of the "New Barbizon" is to convey the theme of painting as vividly as possible, which is captured through direct participation in the moment. This is not a new technique but an essential skill of artistic mastery. I believe that this movement towards modernity rehabilitates authorship in an individual work and elegantly unfolds postmodernist initiatives back to their origins, from where postmodernism emerged.
