Black Triangle (2022) Peinture par Kate Hessling

Fermeture temporaire.

Cet utilisateur a indiqué qu'il n'est actuellement pas disponible et sera de retour le 4 mai 2024

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32,03 $US
128,77 $US
267,99 $US
Résolution maximale: 2445 x 2432 px
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Vendu par Kate Hessling

Oeuvre unique
Oeuvre signée par l'artiste
Certificat d'authenticité inclus
Prêt à accrocher
Monté sur Châssis en bois
Cette oeuvre apparaît dans 3 collections
No philosophical musings, no deeper meanings, just a simple composition of colours and shapes. There is also a companion piece "White Circle". Artwork is unframed, signed on the back, comes with a Certificate of Authenticity and will be registered on the National Registry of Australian Art and Artists. [...]
No philosophical musings, no deeper meanings, just a simple composition of colours and shapes. There is also a companion piece "White Circle".

Artwork is unframed, signed on the back, comes with a Certificate of Authenticity and will be registered on the National Registry of Australian Art and Artists.

Thèmes connexes

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I am an artist based in Brisbane, Australia working primarily in acrylic. As a self-taught artist I enjoy challenging myself and experimenting with different ideas and subject matters exploring the boundless[...]

I am an artist based in Brisbane, Australia working primarily in acrylic. As a self-taught artist I enjoy challenging myself and experimenting with different ideas and subject matters exploring the boundless possibilities of this versatile medium. My subject matter varies from expressionist to impressionist to just strange ideas and concepts depending on whatever pops into my head. My art is original and hand-painted using a variety of tools such as brushes, scrapers, palette knives, fingers and sponges etc. so expect to see brush and tool marks. If you are very lucky you might find a rare stray brush hair embedded in the paint. I am also not a particular fan of straight even lines although I do some geometric abstraction works from time to time.

My influences are mostly from the stunning abstract expressionist works of the mid-20th century which have such a feeling of raw intensity. However, I also love abstracted and moody impressionist landscapes and I see no conflict between such diverse styles. While I sometimes use reference photos or materials these really are just a starting point as once I commence I tend to forget about them and just get carried away in the painting.

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