Jessica Pintaldi
L'azione creativa è insita nell'essere e dell'essere è sostanza
Tutte le opere di Jessica Pintaldi
Universes • 5 opere
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Microcosm and macrocosm, aura section and repetitive shapes in nature
Cosmogony 2011/2012 • 5 opere
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This series of paintings is centered on "cosmogony landscapes and primordial nature." It is a personal[...]
This series of paintings is centered on "cosmogony landscapes and primordial nature." It is a personal walk around ancient stories and myths of creation.
The approach I used for this series is through a traditional Italian media, "Eggs Tempera," to rediscover the magical relationship between matter and creation, which some painters have lost. Making my own colours, using Cennino Cennini recipes from his famous art book written in the early 400s, is a perfect technique to create thin surfaces of paint and detailed textures.
The result is a journey into forgotten lands, where the colors still speaks directly, and maintains its evocative power.
The approach I used for this series is through a traditional Italian media, "Eggs Tempera," to rediscover the magical relationship between matter and creation, which some painters have lost. Making my own colours, using Cennino Cennini recipes from his famous art book written in the early 400s, is a perfect technique to create thin surfaces of paint and detailed textures.
The result is a journey into forgotten lands, where the colors still speaks directly, and maintains its evocative power.
Riconoscimento
Nessun dato ancora disponibile
Biografia
I've developed my own research, starting from "Oscar Kokoschka's School of Seeing" background, where Students sharpen their visual perception by observing moving models, and then quickly painting in watercolours (which are not susceptible of correction), thus achieving a better insight into the world.
The artwork is focused on this watercolour technique, and other media, such as egg tempera, directing the creation on an ethereal, floating painting surface.
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Nazionalità:
ITALIA
- Data di nascita : 1985
- Domini artistici:
- Gruppi: Artisti Italiani Contemporanei
Influenze
Formazione
2007 - 2009
MA Graphic Design
Rome,
Italia
2003 - 2007
Painting Degree Academy of Fine Art
Rome,
Italia
1999 - 2003
Maestro d'Arte Liceo Artistico Alessandro Caravillani
Rome,
Italia
Valore dell'artista certificato
Nessun dato ancora disponibile
Realizzazioni
Nessun dato ancora disponibile
Attività su Artmajeur
Ultima data di modifica: 29 set 2019
(Iscritto dal 2013)
Visualizzazioni dell'immagine: 1.758
Opere di Jessica Pintaldi aggiunte alle raccolte preferite: 0
Ultime notizie
Tutte le ultime notizie dall'artista contemporaneo Jessica Pintaldi
Aggiunto il 7 ago 2014
website on www.jessicapintaldi.org
www.jessicapintaldi.org
Aggiunto il 7 feb 2013
statement
I've developed my own research, starting from "Oscar Kokoschka's School of Seeing" background, where Students sharpen their visual perception by observing moving models, and then quickly painting in watercolours (which are not susceptible of correction), thus achieving a better insight into the world.
The artwork is focused on this watercolour technique, and other media, such as egg tempera, directing the creation on an ethereal, floating painting surface.
My recent series of paintings is centred on "cosmogony landscapes and primordial nature." It is a personal walk around ancient stories and myths of creation.
The approach I used for this series is through a traditional Italian media, "Eggs Tempera," to rediscover the magical relationship between matter and creation, which some painters have lost. Making my own colours, using Cennino Cennini recipes from his famous art book written in the early 400s, is a perfect technique to create thin surfaces of paint and detailed textures.
The result is a journey into forgotten lands, where the colour still speaks directly, and maintains its evocative power.
Recensioni e commenti
I didn't know the "Oscar Kokoschka's School of Seeing", thank you for sharing this way of gaining a specific perceptual insight. Your paintings are very evocative and powerful, it is seemingly incredible they were realised in the egg tempera technique !
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