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The Devils Kiss I (2021) 拼贴 由 Jerome Cholet
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原创艺术品 (One Of A Kind)
拼贴,
拼贴
/
丙烯
/
喷漆
在帆布上
- 外形尺寸 高度 19.7in, 宽度 15.8in
- 是否含画框 此作品未装裱
- 分类 拼贴画 低于US$500 古典主义
The painting depicts a scene from Dante's Divine Comedy, which narrates a journey through Hell by Dante and his guide Virgil. In the scene the author and his guide are looking on as two damned souls are entwined in eternal combat. One of the souls is an alchemist and heretic named Capocchio. He is being bitten on the neck by the trickster Gianni Schicchi, who had used fraud to claim another man's inheritance.
The painting inspired me so much, it's power, the contrast between the writers and the thieves, the athletic bodies and the scene, that could be a bite, but could be a passionate kiss as well.
I printed the original picture in different colours and just glued one the of two protagonists in red on the other print. I love this spontaneous effect, inspired by street art as well as collage art. Further I added tesa stripes to underline the ad hoc character and painted the frame in gray. And the last layer is epoxy resin for the rain effect and longevity.
None of my artwork is perfect, they are organic, there are drops of paint, tears in the paper, waves, glue residues. They are original!
相关主题
ART INSPIRATION: Jerome's art is about capturing the essence, spirit, and energy of the world around him. Bringing it together, reflecting, mixing.
His main mean is mixed-arts / collage. He loves to divide and unite, giving things a new angle by fragmenting or assembling them.
Many of Jerome's paintings are distinguished by giving them a new twist, by taking new focusses, new perspectiuves, adding frames or colours.
He also is very interested in the expressive power of color and how certain colors can trigger different emotions.
ART COMMISSIONS: Jerome Cholet is available for Art Commissions.
DISCLAIMER: All of Jerome's artwork is hand made, so they have ripples, blobs, drops of paint, wrinkles, and bumps. For him art is organic, it arises from natural materials, it changes over time. He does not like clinically clean art, he likes change, maturation and decline. All three are part of life and his art.
