© Jan And Jo Moore
© Jan And Jo Moore
© Jan And Jo Moore
© Jan And Jo Moore
Love's Last Look (Eurydice) 雕塑 由 Jan And Jo Moore
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原创艺术品
雕塑,
石
- 外形尺寸 高度 11.8in, 宽度 4.3in / 60.00 lb
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$20,000 抽象主义
Black Marble Stone Sculpture. The work is a metaphor for the awakening of passion, love, and life – as well as its tragic consequences. Eurydice in Greek mythology, was an oak nymph or one of the daughters of Apollo (the god of light). She was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced [...]
Black Marble Stone Sculpture. The work is a metaphor for the awakening of passion, love, and life – as well as its tragic consequences.
Eurydice in Greek mythology, was an oak nymph or one of the daughters of Apollo (the god of light). She was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced through the meadow. One day, a satyr saw and pursued Eurydice, who stepped on a venomous snake, dying instantly. Distraught, Orpheus played and sang so mournfully that all the nymphs and gods wept and told him to travel to the Underworld and retrieve her, which he gladly did. After his music softened the hearts of Hades and Persephone, his singing so sweet that even the Erinyes wept, he was allowed to take her back to the world of the living. In another version, Orpheus played his lyre to put Cerberus, the guardian of Hades, to sleep, after which Eurydice was allowed to return with Orpheus to the world of the living. Either way, the condition was attached that he must walk in front of her and not look back until both had reached the upper world. However, soon he began to doubt that she was there and that Hades had deceived him. Just as they reached the portals of Hades and daylight, he turned around to gaze on her face, and Eurydice vanished back into the Underworld. When Orpheus was later killed by the Maenads on Dionysus' orders, his soul ended up in the Underworld where he was reunited with Eurydice.
Eurydice in Greek mythology, was an oak nymph or one of the daughters of Apollo (the god of light). She was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced through the meadow. One day, a satyr saw and pursued Eurydice, who stepped on a venomous snake, dying instantly. Distraught, Orpheus played and sang so mournfully that all the nymphs and gods wept and told him to travel to the Underworld and retrieve her, which he gladly did. After his music softened the hearts of Hades and Persephone, his singing so sweet that even the Erinyes wept, he was allowed to take her back to the world of the living. In another version, Orpheus played his lyre to put Cerberus, the guardian of Hades, to sleep, after which Eurydice was allowed to return with Orpheus to the world of the living. Either way, the condition was attached that he must walk in front of her and not look back until both had reached the upper world. However, soon he began to doubt that she was there and that Hades had deceived him. Just as they reached the portals of Hades and daylight, he turned around to gaze on her face, and Eurydice vanished back into the Underworld. When Orpheus was later killed by the Maenads on Dionysus' orders, his soul ended up in the Underworld where he was reunited with Eurydice.
相关主题
Black MarbleStone SculptureGreek MythologyEurydiceFigurative
Jan 和 Jo Moore 是来自新墨西哥州的设计合作团队。他们与大自然有着深厚的联系，40多年来一直通过雕塑诠释她的风景和文化。. 他们寻求创作内省的作品，通常是为了唤起宁静、崇敬和沉思；线条流畅，造型优雅的雕塑。这些作品通常是原始的、坚忍的、发自内心的。 Jan 和 Jo Moore 用石头雕刻并用青铜铸造，既是为了媒体无与伦比的永恒耐用性，也是为了探索和沉迷于它们的内在美和两种媒体中包含的元素力量的内在张力。. [...]
Jan 和 Jo Moore 是来自新墨西哥州的设计合作团队。他们与大自然有着深厚的联系，40多年来一直通过雕塑诠释她的风景和文化。
他们寻求创作内省的作品，通常是为了唤起宁静、崇敬和沉思；线条流畅，造型优雅的雕塑。这些作品通常是原始的、坚忍的、发自内心的。 Jan 和 Jo Moore 用石头雕刻并用青铜铸造，既是为了媒体无与伦比的永恒耐用性，也是为了探索和沉迷于它们的内在美和两种媒体中包含的元素力量的内在张力。
他们的作品被阿尔伯克基植物园、阿尔伯克基里奥格兰德动物园、国家公园管理局（萨利纳斯国家纪念碑）、新墨西哥大学、新墨西哥州印刷厂、爱德华兹空军基地和圣达菲学院的公共收藏.它们发表在许多国家和国际出版物上。
