The Wolfman (2021) 絵画 James Potter によって

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販売者 James Potter

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販売者 James Potter

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最大解像度: 3481 x 4611 px
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販売者 James Potter

  • オリジナルのアートワーク (One Of A Kind) 絵画, キャンバスの オイル
  • 寸法 高さ 16in, 幅 12in
  • フレーミング このアートワークは額装されていません
  • カテゴリ 印象主義 シネマ
I am a big fan of classic horror movies and the Wolfman has always been a favourite. I saw the Oliver Reed version when I was a young boy and I thought it was scary and great. I watched all of the earlier incarnations with Lon Chaney jr and the modern version, which I liked. I love the idea that the moon has a particular fascination for the wolfman[...]
I am a big fan of classic horror movies and the Wolfman has always been a favourite. I saw the Oliver Reed version when I was a young boy and I thought it was scary and great. I watched all of the earlier incarnations with Lon Chaney jr and the modern version, which I liked. I love the idea that the moon has a particular fascination for the wolfman and that he will follow and look up to it wherever he is.

関連テーマ

WolfmanLon Chaney JrWerewolfMoonFull Moon

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Welcome to my website, my name is James Potter and I love art and painting. My journey with art began as a young boy, drawing Grebes and Heron in ballpoint pen with my Grandfather. He used to take me[...]

Welcome to my website, my name is James Potter and I love art and painting.

My journey with art began as a young boy, drawing Grebes and Heron in ballpoint pen with my Grandfather. He used to take me to a nature reserve in Newcastle-Upon-Tyne, where we would spend hours looking for particular birds on the lake with binoculars. I was fascinated that the drawings we did in pen and ink looked very much like the actual birds.

I studied art at school and learned to paint with gouache, which I felt was a little dull and lifeless. My mother introduced me to oil paints and I stayed with this medium as the buttery consistency and vibrant colours were perfect for my style of painting. They offer a beautiful, realistic quality to painting quite unlike any other medium.

I paint in an impressionistic style, aiming to create deliberate strokes that capture the form and fall of light. I paint my water and sea ‘wet into wet’ to create a more natural flow, whilst the placing of colour next to each other with no blending creates a vivid clarity.

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