Michelangelo Code (2010) 绘画 由 Ivan Lenardic

绘画, 23.6x31.5 in
US$36,857.44
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  • 原创艺术品 绘画,
  • 外形尺寸 高度 23.6in, 宽度 31.5in
  • 分类 画作 从US$20,000
Both, Michelangelo and Da Vinci lived at the same time. Maybe they thought the same thing. 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. 相关主题. BothMichelangelo And Da Vinci Lived At The Same Time. Maybe They Thought The Same Thing.
Both, Michelangelo and Da Vinci lived at the same time. Maybe they thought the same thing...

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BothMichelangelo And Da Vinci Lived At The Same Time. Maybe They Thought The Same Thing...

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Ivan Lenardic’ paintings, charged with abundance of substance, represent a true curriculum vitae in which life resounds sweepingly with its rules and contrasts; life in which join hands love and hate, compassion [...]

Ivan Lenardic’ paintings, charged with abundance of substance, represent a true curriculum vitae in which life resounds sweepingly with its rules and contrasts; life in which join hands love and hate, compassion and indifference, aggression and peace, purity and licentiousness, dreaminess and sobriety, youth and old age, hope and death.
Painter’s works are impregnated by a specific atmosphere full of tension and dynamics. It seems as if an invisible flow of energy connected the painter’s work which is distinguished by a variety of motifs to a complete entirety. Despite the narrative as well as the creation of figures and settings with a touch of realism in author’s paintings, there is a constant occurrence of an irrational ingredient interlacing with surrealistic tendencies, with the insight in the man’s interior without being burdened either by strings of the reason or the prescribed standards. A tangible object or a figure in the painting often become a reflection of an idea or a subconscious experience, just as the author’s inclination to express himself in symbols often obscures the narrative scenery built on realistic or pop art bases.

Painter’s work contains another vital substance, i. e. his social involvement that occasionally suffuses the depth of his artistic narrative like a delicate echo. Furthermore, one should not overlook the presence of a poetic component in painter’s works since it can often soothe the potential sharpness of the painting’s basic conception.

The description of Lenardic’ work could not be complete without emphasising the role of potraying the space, as well as the author’s use of colouring when creating the basis of a painting. The space with its confinement and openness together with the profuse colouring and balanced use of light has a considerable influence on the mood as well as on the emotional and symbolic expressions of painter’s compositions.

Cene Avgustin, Ph.D.

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