Hubris (2021) 绘画 由 Jacqueline Gomez

油在帆布上, 12x14.5 in
US$9,664
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  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 12in, 宽度 14.5in
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  • 分类 画作 低于US$20,000 象征主义 政治
This piece has seen me through of my most turbulent years thus far and in those years much of my philosophy of how best to portray themes in my conceptual pieces has changed. William Lonsdale Watkinson's quote. "But denunciatory rhetoric is so much easier and cheaper than good works, and proves a popular temptation. Yet is it far better to light the [...]
This piece has seen me through of my most turbulent years thus far and in those years much of my philosophy of how best to portray themes in my conceptual pieces has changed..


William Lonsdale Watkinson's quote

"But denunciatory rhetoric is so much easier and cheaper than good works, and proves a popular temptation. Yet is it far better to light the candle than to curse the darkness."

... ends the epilogue of my bio for a reason.


Thus my episodic progression with 'Hubris' these past 10 years+ were not without some misgivings. It never ceased it's call to my soul to be completed though, and despite the long interval, unfortunately, the themes portrayed are as relevant now as if I had started it 50 years ago (let's just ignore its varying reiterations throughout human history)..


The nourishing life force of our earth is represented by the turkey, here being stripped down to its bone by a system that perpetuates and sustains the insatiable greed of the few, accumulating power as their plates overflow. Yet still this avarice has no bounds as the earth is continually raped of every morsel, withering in greed's grasp and turning a deathly greenish hue.. Any remorse from the former or resistance from the latter, is keep in check with mans adept ability to conceal unpleasant truths and 'colour' realities, as the abundant swell of food in the foreground glistens an unnatural dyed glow of health.

Meanwhile the proverbial fake carrot is ever at hand to entice and distract the masses, keeping them fighting over themselves just for a taste.. (Hope is provided with a conspiring few in the distance).. Note the inconspicuously hidden blank notes in the over stuffed wallet of our monetary system etc..


On the table, just above the plate of putrid food, dyed an unnatural hue, is carved with familiar conceit

'ANDY WAS HERE'.

(the root origin of the name Andy is Man)

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Title: 'Hubris'

Medium: Oil on Canvasboard

Protected with Daler Rowney Satin Varnish.

This piece has been undeniably authenticated with my thumbprint in oil, and signed and dated on the back with waterproof, archival pigment black ink.

Comes with a signed 'Certificate of Authenticity'.

This is an ORIGINAL painting. It is ONE OF A KIND and is completely hand painted. It is not a print or copy, but the actual painting itself. There is only one and it will never be painted ever again.

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PACKAGING: To ensure your artpiece reaches you in optimum condition, it will be packaged for the best protection in acid-free tissue paper, padding etc. and sent in a sturdy box. Recycled packaging material is used whenever possible.

SHIPPING is included in the price and is handled exclusively by Artmajeur.

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May be displayed framed or unframed. Hanging fixtures not included.

Please do let me know if you have any questions!.. :)

*Please be aware that even though every effort has been made to display an accurate representation of the work in digital form, your monitors colour representation may differ slightly from the artwork in real life.

相关主题

EgoSymbolicConceptualThe One PercentConceit Of Man

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Jacqueline Gomez 是一位当代马来西亚艺术家。她拥有英印血统,在马来西亚的城市、多种族和文化环境中长大。这段经历无疑影响了她的观点,并促使她在艺术中尽可能充分地反映多样性。她的概念作品通常是由她在书页中发现的,这是她的第二爱,以及我们目前正在经历的不寻常和“有趣”时代的不可避免的影响而形成和启发。. 杰奎琳·戈麦斯(Jacqueline Gomez)认为她的艺术能力的不断发展对创作过程至关重要,她相信探索和发展她在各种媒介和技术中的能力是这一过程中许多令人惊叹且不断鼓舞人心的方面之一。不受当地文化习俗或传统信仰的限制,她的艺术自由对她作为艺术家的发展至关重要。. [...]

Jacqueline Gomez 是一位当代马来西亚艺术家。她拥有英印血统,在马来西亚的城市、多种族和文化环境中长大。这段经历无疑影响了她的观点,并促使她在艺术中尽可能充分地反映多样性。她的概念作品通常是由她在书页中发现的,这是她的第二爱,以及我们目前正在经历的不寻常和“有趣”时代的不可避免的影响而形成和启发。

杰奎琳·戈麦斯(Jacqueline Gomez)认为她的艺术能力的不断发展对创作过程至关重要,她相信探索和发展她在各种媒介和技术中的能力是这一过程中许多令人惊叹且不断鼓舞人心的方面之一。不受当地文化习俗或传统信仰的限制,她的艺术自由对她作为艺术家的发展至关重要。


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