作品「 Siddhartha 」 Jagath Wickramarachchiが購入オプション付きでリースします
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よくある質問
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- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
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How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
著者について
[English]
As a painter of intermittent dedication, situated amidst the cultural expanse of Paris, my sensibilities have long been attuned to the nuances of artistic expression. Within the realm of my creative pursuits, I am both an avid writer and a skilled draftsman. Yet, it was in 2017 that I resolved to relinquish the comfort of my sketchbooks and embark upon the challenging journey of canvas painting.
Following the genesis of my initial works, I committed myself to a two-year course of artistic tutelage in Paris, wherein I honed my craft across a spectrum of mediums, from the luminous depths of acrylics to the subtleties of charcoal, pastel, and ink.
My artistic ethos is centered upon the quest to imbue each creation with profound meaning and resonant depth, transcending the mere confines of visual representation.
Embedded within my creations, one discerns not only my reverence for texture and form but also the interplay of my dual heritage, influenced by the rich tapestries of Sri Lanka and the artistic legacies of France.
The stroke of a brush is not merely a stroke of color, form, and direction; it is, above all, an expression and revelation of unspoken emotional depths, with all their complex delicacy.
It is with a humble sense of gratitude that I reflect upon the privilege of having my oeuvre grace the halls of UNESCO during the observance of the International Day of Vesak in 2018.
[Français]
Artiste peintre par intermittence, installé à Paris, j'ai toujours eu une forte sensibilité aux travaux artistiques. J'écris beaucoup et je dessine. C'est en 2017 que je délaisse mes carnets et mes gribouillis et me décide de me lancer dans la peinture sur toile.
Après avoir peint mes premières peintures, j'ai décidé de suivre des cours d'éducation artistique durant 2 ans à Paris, où j'ai acquis des techniques précieuses concernant la peinture acrylique, le charbon, le pastel et l'encre.
J'essaie de produire des œuvres empreintes de sens et de profondeur.
Vous trouverez dans mes créations mon goût du relief et des formes, mais également mes influences sri lankaises et française.
Le coût de pinceau n'est pas seulement un trait de couleur, de forme et de direction mais surtout une expression et une révélation des abysses sentimentales inexprimées, avec tout leur relief, leur délicatesse et leur complexité.
Certaines de mes œuvres ont pu être exposées à l'UNESCO durant la journée internationale du Vesak en 2018.
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国籍:
スリランカ
- 生年月日 : 日付不明
- 芸術的ドメイン：
- グループ： スリランカの現代アーティスト
