Lease 彫刻 by Serendipity Liche

作品「 Le Bout Du Chemin / Fuite En Avant 」 Serendipity Licheが購入オプション付きでリースします

Serendipity Licheの彫刻は購入オプション付きでリース可能です

「Le bout du chemin /…」というタイトルの彫刻 Serendipity Licheによって, オリジナルのアートワーク, 骨
Le bout du chemin / fuite en avant (2022)
彫刻 Serendipity Liche によって - 4.7x3.2 in
$256.64

月々のお支払いを選択してください:

月々のお支払い
€21.82
残余価値
€7.07
節税
€80.94
総費用
€210
月々のお支払い
€12.37
残余価値
€7.07
節税
€84.65
総費用
€219
月々のお支払い
€8.95
残余価値
€7.07
節税
€91.77
総費用
€237
月々のお支払い
€7.03
残余価値
€7.07
節税
€96.05
総費用
€248
* これは単なる示唆的なシミュレーションです。契約上の提案は、お客様の裏付け書類を検討し、当社の財務パートナーによるファイルの検証後にお客様に送信されます。

リースに関する資料請求 "Le Bout Du Chemin / Fuite En Avant"

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よくある質問

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

詳細情報

Le bout du chemin / fuite en avant (2022)
彫刻 Serendipity Liche によって - 4.7x3.2 in
「Le bout du chemin /…」というタイトルの彫刻 Serendipity Licheによって, オリジナルのアートワーク, 骨

著者について

フォローする
(french below) Serendipity is a self-taught person in the domain of arts, their formation being purely scientific. They have always liked working with several mediums, starting with drawings, painting then[...]

(french below) Serendipity is a self-taught person in the domain of arts, their formation being purely scientific. They have always liked working with several mediums, starting with drawings, painting then modifying and scultping miniatures, writing or, more recently, music. However, they found in 2019 their favorite material, by far : bone, and especially their cancellous (spongy) parts, so beautiful with its chaotic-looking 3d grid, strong despite its delicate look, raising tons of ideas just by looking at it - they like to call it bone lace.They of course does not work with this material only, using as well wood, often from random twisted pieces of wood found everywhere, and some rusted nails.Their name was not chosen randomly, since serendipity is their main way of working, often finding what already lies within the material - mostly cancellous bone or wood - and putting it in the open for all to see, like their "headless dancer" work. Serendipity started more recently to experiment with monotype and all that goes around ; there again, using serendipity is paramount to their way of working.


Serendipity est autodidacte dans le domaine des arts, sa formation étant scientifique uniquement. Iel a toujours aimé toucher à tout, commençant avec du dessin, de la peinture, puis modification (conversion) et sculpture de figurines, de l'écriture ou, plus récemment, de la musique. Iel a cependant trouvé en 2019 son matériau de prédilection : l'os, et en particulier sa partie spongieuse, si belle et inspirante par son chaos 3d de lignes intercroisées, solide malgré son apparente fragilité, qu'iel aime appeler dentelle d'os. Iel ne travaille bien sûr pas qu'avec ce matériaux, mais aussi du bois - souvent des morceaux tordus ramassés un peu partout - et des clous rouillés. Son nom (sérendipité) n'est pas choisi au hasard, puisque c'est sa façon principale de travailler : trouver ce qui existe déjà dans le matériaux - principalement l'os spongieux ou le bois) et le révéler aux yeux de toustes, comme la pièce "headless dancer". Serendipity a commencé plus récemment à s'intéresser au monotype et ses variations ; là aussi, la sérendipité est des plus importantes dans sa façon de travailler.

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