Lease 絵画 by Charles Riley

作品「 The Invisible Element Made Visible 」 Charles Rileyが購入オプション付きでリースします

Charles Rileyの絵画は購入オプション付きでリース可能です

「the invisible eleme…」というタイトルの絵画 Charles Rileyによって, オリジナルのアートワーク, オイル artwork_cat.にマウント
the invisible element made visible (2018)
絵画 Charles Riley によって - 36x30 in
$1,449

月々のお支払いを選択してください:

月々のお支払い
€114.91+付加価値税
残余価値
€37.49+付加価値税
節税
€425.79+付加価値税
総費用
€1,106+付加価値税
月々のお支払い
€67.02+付加価値税
残余価値
€37.49+付加価値税
節税
€458.28+付加価値税
総費用
€1,188+付加価値税
月々のお支払い
€46.44+付加価値税
残余価値
€37.49+付加価値税
節税
€476.52+付加価値税
総費用
€1,233+付加価値税
月々のお支払い
€37.13+付加価値税
残余価値
€37.49+付加価値税
節税
€507.87+付加価値税
総費用
€1,312+付加価値税
* これは単なる示唆的なシミュレーションです。契約上の提案は、お客様の裏付け書類を検討し、当社の財務パートナーによるファイルの検証後にお客様に送信されます。

リースに関する資料請求 "The Invisible Element Made Visible"

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よくある質問

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

詳細情報

the invisible element made visible (2018)
絵画 Charles Riley によって - 36x30 in
「the invisible eleme…」というタイトルの絵画 Charles Rileyによって, オリジナルのアートワーク, オイル artwork_cat.にマウント

著者について

フォローする
At an early age I learned about art from an aunt who was an established artist. My father taught me a love of literature. My B.A. was in English Lit. My graduate degrees from Columbia University were in studio [...]

At an early age I learned about art from an aunt who was an established artist. My father taught me a love of literature. My B.A. was in English Lit. My graduate degrees from Columbia University were in studio art and teaching of college studio art. 

 As part of my studies at Columbia, I studied communication theory under Louis Forsdale. As a result, I learned how important the primal mediums of painting, poetry, and drawing were to ballance the deluge of electronic media. 

I had exhibitions in New York City during and after my grad work at Columbia. These included: The Macy Gallery at Columbia; Hudson Valley '85 National Exhibition Juried by Barbara Haskell, Curator of the Whitney Museum; Ariel Gallery in NYC; The Emerging Collector in NYC; Eighth Annual Exhibition of Emerging Artists at the Bronx Museum of the Arts; and In Search of the American Experience by The Museum of the National Arts Foundation. There were also reviews in The New York Times, ArtSpeak (a Gallery Review), and the Bronx News.

More recently, I show my work online at charlesrileyart, exhibit in shows at the Fredericksburg Center for Creative Arts in Fredericksburg, VA. From 2012 through 2013 I displayed my artwork at Art First in Fredericksburg VA. Fredericksburg and Art First are very magical places if you ever get a chance to visit.

My artwork includes painting, mixed media, photography, and computer art, as well as a synthesis of the media. The work is expressionistic and it reflects what it is to be human. My writing, which I combine with the artwork, also reflects the human condition. The artwork is also a means to balance mundane conditioning that distracts us from the unconditioned creativity of the universe. My artwork is fed by relationships and other pursuits and studies such as Tai Chi, Taoism, Literature, Music, Media, and Art.

I studied Tai Chi with Master Da Liu in the 80's at Columbia University and I've been practicing and teaching since. I'm now teaching at two community centers in the Fredericksburg, VA area.

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