Lease Quadri by Riccardo Capparella (Ticco)

Leasing dell’opera “ Spring Doesn't Knock #9 ” di Riccardo Capparella (Ticco) con opzione di acquisto

Le Quadri di Riccardo Capparella (Ticco) sono disponibili per il noleggio con opzione di acquisto

Pittura intitolato "Spring doesn't knoc…" da Riccardo Capparella (Ticco), Opera d'arte originale, Acrilico
Spring doesn't knock #9 (2019)
Pittura da Riccardo Capparella (Ticco) - 39,4x39,4 in
1.849,81 USD

Scegli i tuoi pagamenti mensili:

Pagamenti mensili
152,2 €+IVA
Valore residuo
49,66 €+IVA
Risparmio fiscale
564,02 €+IVA
Costo totale
1.464 €+IVA
Pagamenti mensili
88,78 €+IVA
Valore residuo
49,66 €+IVA
Risparmio fiscale
607,34 €+IVA
Costo totale
1.573 €+IVA
Pagamenti mensili
61,52 €+IVA
Valore residuo
49,66 €+IVA
Risparmio fiscale
631,28 €+IVA
Costo totale
1.633 €+IVA
Pagamenti mensili
49,19 €+IVA
Valore residuo
49,66 €+IVA
Risparmio fiscale
672,89 €+IVA
Costo totale
1.738 €+IVA
* Questa è solo una simulazione indicativa. Una proposta contrattuale ti sarà inviata dopo lo studio dei tuoi documenti giustificativi e la convalida del tuo dossier da parte del nostro partner finanziario.

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What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Maggiori informazioni

Spring doesn't knock #9 (2019)
Pittura da Riccardo Capparella (Ticco) - 39,4x39,4 in
Pittura intitolato "Spring doesn't knoc…" da Riccardo Capparella (Ticco), Opera d'arte originale, Acrilico

Riguardo l'autore

Seguire
Riccardo Capparella, aka Ticco, was born in Rome in 1983. He started drawing and painting as a child thanks to his father's painter's tools. Initially, he used ink on paper and made works strictly[...]

Riccardo Capparella, aka Ticco, was born in Rome in 1983. He started drawing and painting as a child thanks to his father's painter's tools. Initially, he used ink on paper and made works strictly in black and white, a technique that fascinated him for over ten years. He switched to larger works and experimented different techniques and supports, favoring acrylics on canvas. His research focuses on the study of form in relation to randomness and unconscious. The artists and the cultural and aesthetic movement that have inspired him are part of an era, that of Art Nouveau, which has influenced all the graphics, advertising and visual arts. It is mostly the philosophical and experimental part of Art Nouveau that this young artist draws from, instead of the decadent aesthetics. It is the use of some specific forms that shakes and inspires him.

Riccardo's creative process investigates the profound contrasts between lights, shadows, darkness and saturated colors, placing each work in an almost esoteric dimension. A project or a sketch of the work is never carried out, but through an approach to the theory of binaural tones, the artist is transported by the passage of the Beta frequencies to the Gamma and Alpha frequencies. This state induced by music arises the form. The resulting ones are often close to the figures created by cymatics. That of Riccardo Capparella is a morphogenesis that sees the sound frequencies generate a stage of consciousness that leads to a vibration of the human body as a further vibrating instrument, which becomes medium and yet with its essence unconsciously changes the very structure of the form.

The geometries and the graphisms created are not only the result of cymatics, but between the force generated and the object on which the shape is created there is a human vehicle, in a stage of consciousness guided by the sound vibrations and the brain’s elaborations frequencies.

In this case, painting becomes a synaesthetic gesture able to create a space - a world of sound as highlighted by a series of paintings by Riccardo entitled "This is the Planet of Sound" - where even the concept of "error" expands to disappear, returning to a scientific vision, where error is nothing but evolution. The synaesthetic relationships between form and color of which Kandinski spoke of are found above all in some of the works: the yellow and the triangle, the red and the square, the blue and the circle. In his paintings the sharpness of black and white and the preciseness of the geometric shapes live a perfect chaos, becoming fluid in cohabitation with colors, in a perfect encounter of the elements.

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