Leasing dell’opera “ Old Corral ” di Timothy Seery con opzione di acquisto
Le Quadri di Timothy Seery sono disponibili per il noleggio con opzione di acquisto
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Domande frequenti
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Riguardo l'autore
The early part of my life was spent wanting to be a writer like my father. Though I had a way with words I found writing to be a slog. At the time I took that to mean I was lazy and beat myself up a lot. But at the age of 20 I tried making a painting with dry markers and while it was very primitive an artist friend of mine liked it. I had no thought of being an artist, I couldn't draw a decent stick figure at the time but I instantly fell in love with painting. I spent hundreds of hours making dry marker paintings with no thought to even trying to sell them and of course they were unsellable because dry mark is not light fast. I just did it because painting had worked it's way into my bones. Whenever I looked at the art magazines out of New York I despaired not only because they were clearly better than me but because I realized how many artists were out there. Who was I to try to join their ranks? I would stop painting for a while but it was in my bones and I had to go back and paint again, until I saw another art magazine. This went on for years until I started taking lessons and classes and improved my drawing skills. Gradually I began to sell paintings and portraits. Other than my family, painting is my singular passion. I must paint, selling be damned
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Nazionalità:
STATI UNITI
- Data di nascita : data sconosciuta
- Domini artistici:
- Gruppi: Artisti Americani Contemporanei
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