Lease Collage by Manuel Blond

Leasing dell’opera “ Cuba Libre ” di Manuel Blond con opzione di acquisto

Le Collage di Manuel Blond sono disponibili per il noleggio con opzione di acquisto

Collages intitolato "Cuba libre" da Manuel Blond, Opera d'arte originale, Collages
Cuba libre (2005)
Collages da Manuel Blond - 35,4x39,4 in
9.882,25 USD

Scegli i tuoi pagamenti mensili:

Pagamenti mensili
822,13 €+IVA
Valore residuo
276,56 €+IVA
Risparmio fiscale
3.046,08 €+IVA
Costo totale
7.918 €+IVA
Pagamenti mensili
479,53 €+IVA
Valore residuo
276,56 €+IVA
Risparmio fiscale
3.280,07 €+IVA
Costo totale
8.505 €+IVA
Pagamenti mensili
332,29 €+IVA
Valore residuo
276,56 €+IVA
Risparmio fiscale
3.409,17 €+IVA
Costo totale
8.830 €+IVA
Pagamenti mensili
265,68 €+IVA
Valore residuo
276,56 €+IVA
Risparmio fiscale
3.634,61 €+IVA
Costo totale
9.395 €+IVA
* Questa è solo una simulazione indicativa. Una proposta contrattuale ti sarà inviata dopo lo studio dei tuoi documenti giustificativi e la convalida del tuo dossier da parte del nostro partner finanziario.

Richiesta di informazioni sul leasing "Cuba Libre"

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Domande frequenti

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Maggiori informazioni

Cuba libre (2005)
Collages da Manuel Blond - 35,4x39,4 in
Collages intitolato "Cuba libre" da Manuel Blond, Opera d'arte originale, Collages

Riguardo l'autore

Seguire
Geboren 1951 in einer lauschigen Ecke Deutschlands. Windeln und Laufstall schon bald entflohen. Auf dem Dreirad dann frühe Erfahrungen mit schier grenzenloser Freiheit. Erste erfolgreiche Kämpfe als Indianer[...]

Geboren 1951 in einer lauschigen Ecke Deutschlands. Windeln und Laufstall schon bald entflohen. Auf dem Dreirad dann frühe Erfahrungen mit schier grenzenloser Freiheit. Erste erfolgreiche Kämpfe als Indianer gegen die Cowboys der Gegend.

 Dann zwölf Jahre lang Wissen angehäuft, das andere für mich ausgesucht hatten. Auf dem nun fremdgefüllten Kopf wurde die Indianerfeder ungefragt von einem Stahlhelm geknickt, der hölzerne Tomahawk durch echtes Mordwerkzeug ersetzt.

Dieser engen Welt aus olivgrüner Einheitskleidung und kaltem Stahl folgte endlich die weite, freie und farbmächtige Welt der Kunst.

Von 1972 bis 1976 Studium an der Bodensee-Kunsthochschule Konstanz bei den Professoren Paul Dietrich (Grafik-Design), Markus Hoffman (Typographie und Drucktechnik), Gretel Dietrich-Schopen (Komposition), Horst Schwaiger (Kunstgeschichte, Architektur und Perspektive) Walther Mathysiak (freie Malerei) und Heinz Finke (Fotografie).

Durch die Vielseitigkeit meiner Ausbildung habe ich das Glück, zwei Leben genießen zu können: als freischaffender Künstler und als selbständiger Grafik-Designer.

In beiden Leben bin ich mit derselben wunderbaren Frau überaus glücklich verheiratet. 


In 1951 I was born in a snug area of Germany. Soon I learned to escape nappies and my playpen. On a tricyle I had early   experiences of almost unlimited freedom. First successful fights as a redskin fought against cowboys from the neighbourhood.

Then twelve long years of accumulated knowledge, chosen by others. After that the redskin feather on my stuffed and alienated head got    broken by a steel helmet, without my permission. The wooden tomahawk got replaced by a real murder weapon.

Finally, after that narrow world of olive-green uniform and cold steel the vast, unfettered and colourful world of art followed.

From 1972 to 1976 studied art at the Bodensee-Kunsthochschule Constance, under Professor Paul Dietrich (graphic design), Professor  Markus Hoffman (typography and print technology), Professor Gretel Dietrich-Schopen (composition), Professor Horst Schwaiger (art history, architecture and perspective), Professor Walther Mathysiak (fine art) and Professor Heinz Finke (photography).

Thanks to my broad education I am fortunate enough to be able to enjoy two lives now: one as a freelance artist and the other as an independent graphic designer.

In both lives I am most happily married to the same wonderful wife. 


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