Abstraction in yellow colours (2024) 数字艺术 由 Irene Nekrasova
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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在帆布上
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
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- AI生成的图像 艺术家利用人工智能技术创作了这幅图像
- 分类 电子艺术品 低于US$500 立体主义 抽象主义
The use of yellow in the abstract Cubism painting adds a layer of intensity and modernity to the composition, enhancing the visual impact and creating a sense of visual unity. The bright and vivid colors, combined with the abstract forms, create a sense of movement and rhythm that animates the artwork.
相关主题
Irina Nekrasova based in Moscow, Russia.
Member of the Creative Union of Artists of Russia, member of the Eurasian Art Union, member of the Union of Russian Artists.
I would like to express positive emotions in my artworks: things or people that inspire me. I’d rather not depict any social problems or depressing things. There is so much anguish and misery in the world that people, to my mind, need more positive emotions to be able to overcome hardships of the modern world. Yes, I do believe in the saying by Dostoyevsky: “Beauty will save the World” …and love and kindness as well, I’d rather add. It is beauty and kindness I’d like to attract people’s attention to, not ugliness in all its aspects.
I’ve been always interested in drawing and painting. But I started developing as an artist much later, when my children grew up and I had more time to myself.
Over 12 years ago I decided to study art seriously at the school of academic drawing and painting. After training, attended painting classes with professional artists, applying the gained knowledge in practice and constantly improving my level of skill.
At the same time, I studied traditional Chinese painting Guo Hua (Xie-Yi) under the guidance of Russian and Chinese teachers, and subsequently used my skills, creating paintings in traditional and modern styles.
Being an interpreter by education enabled me to travel a lot around many countries and continents, which satisfied my curiosity about the world and broadened my vision. I visited the best museums and got aquatinted with European and American Art where I could see the amazing works by well-known artists with my own eyes, was eager to absorb the majestic impressions of their skillful brush strokes.
I gave my heart to the Russian artists of the XIX and XX centuries: Aivasovsky, Kuindzhy, Roerich, Serov, Vereshchagin, and French impressionists: Manet, Renoir, Degas. I’d love to believe I took a little atom of skills from each of them.
Hence, I tried accumulating many cultural traditions and integrate tradition and our time to create my artworks. New trends are also interesting to me.
I use oil and acrylics in my works. I love to experiment with brushes and palette knives, with different media.
As I often use oil, the creative process can take quite long. First, I need to think over the whole composition, the theme, all the details and then start painting. The moment of applying colours onto the canvas makes me thrill: I wonder what the result will be. And sometimes it is absolutely unexpected.
