“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
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关于我们的优良打印-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 27.6in, 宽度 19.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 象征主义 女性肖像
相关主题
Ioana Ursu, visual education teacher and artist, a graduate of the National University of Arts in Bucharest (History and Theory of Art) and the Faculty of Humanities of UGAL, has participated in solo and group art exhibitions in Romania and abroad - Spain and Greece - and is a book illustrator and essayist.
Art Critic Opinion
Marta Lock (Italian art critic)
Romanian artist Ioana Ursu is inspired by the atmospheres of Tamara de Lempicka, reinterpreting them according to her own approach to life and existence, thus retaining the decisive chromaticism and the almost edgy stroke both in the representation of faces and in that of the light that therefore appear to sculpt her protagonists and their clothes, but giving them a more expressionist version, symbolist in some canvases, thus softening the gaze and bringing out an interiority and sensitivity that in the artworks of the Art Deco master seemed to be hiding behind the algid and determined approach to a society in which women had yet to gain emancipation and the right to be able to a more central role. Ioana Ursu moves on a timeless dimension because for her it is essential to portray and celebrate women in all their facets, nuances of personality that she transforms into characters of the canvases, each female figure with her own characteristic and specific meaning of a mysterious, enigmatic and always incredibly emotional.
Francesca Callipari
Art critic and Art curator
Ioana Ursu is an artist with a profound interest in the representation of the female figure, reinterpreted through an aesthetic that blends classical elegance with the evocative charm of vintage advertising iconography. This vision is enriched by a contemporary sensitivity, expressed through a sometimes textural style of painting that lends her works a tactile and visual intensity.
Her preference for portraiture stands out strongly: faces and profiles emerge as figures of refined sophistication, wrapped in an aura of mystery and imbued with a subtle sense of glamour.
