“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印-
原创艺术品 (One Of A Kind)
绘画,
水彩
在纸上
- 外形尺寸 高度 9in, 宽度 12in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$1,000 形象艺术 日常生活
Original painted with a limited palette of primary transparent and lightfast Sennelier paints on an Arches 140lb cold press paper.
相关主题
I was born and raised in the city of Buenos Aires and have spent my entire life in close contact with art since my early childhood. I have been drawing since I was 5 years old and experimenting with various painting mediums since then. My school's curriculum also exposed me to art from 1st grade onwards through enthusiastic classes, gradually making art a more predominant part of my childhood.
At the age of 16, I had the opportunity to meet the family of Mr. Juan Batle Planas, a master painter who was one of the top 20 artists in Argentina. From his niece, Nelly Planas, I learned to take a more serious approach to my art and actively engage in painting every day. She provided me with the basic tools to start working independently, including my first brush (a Trimay natural sable hair brush manufactured by her family), canvas, paints, and initial lessons in oil painting. With her guidance, I gained the confidence to pursue art more seriously. Over time, I transitioned from oils to acrylics and eventually ventured into watercolors. Watercolors offer a unique visual experience with their pure and transparent qualities. Mixing colors on paper allows for a range of techniques that create beautiful and atmospheric effects, such as washes, layering, wet-into-wet, and lifting pigment. I prefer using transparent and lightfast pigments to enhance the beauty of watercolor. My palette is limited, consisting of a few yellows, reds, blues (both cool and warm), earth tones like Raw and Burnt Sienna, and occasionally Viridian or Burnt Umber. I typically focus on nature-based compositions, including landscapes, still life, and portraits that capture human expression. Life itself is my primary subject, and I aim to convey its energy and spontaneity in my paintings. I start by lightly sketching the composition on cold-pressed 140lb watercolor paper, focusing on the silhouette of shapes. I then carefully apply water and pigments with delicate brushstrokes to maintain the transparency and freshness of watercolor. After completing a painting, I often revisit it the next day with a clear mind to make any necessary adjustments.
Mostly self-taught, I learned art by attending courses in art academies, sometimes with other artists, and by self-studying art and art masters. My training began with the basics of design, perspective, theory of color, art history, Renaissance masters, styles of French architecture, interior design, live model painting, etc. Painting is not difficult; anyone can paint. You only need practice or, as some artists say, you need “brush mileage.”
