Nio
L'art, c'est la liberté
Nio est un artiste multidisciplinaire (peinture, photographie, dessin) et caricaturiste. Ses œuvres le plus souvent abstraites surprennent par leur profondeur et leur subtilité.
Abordant particulièrement les thèmes du collage, de la sculpture abstraite, des silhouettes son travail se distingue par un éclairage nouveau. Les silhouettes qu’il fait naître sur ses photos font étrangement penser à des caricatures.
Nio est un artiste Roumain vivant et travaillant à Clichy-sous-bois en France. Il débute la caricature en 1983. Il est diplômé de l’Instituth Kamprath, section caricature et dessin de presse à Darmstadt en Allemagne en 1995 et de l’Institut Phoenix, section design publicitaire, à Cluj Napoca en Roumanie en 2001. Il a participé à de nombreuses expositions dont Hypergallery, en collaboration avec Hewlett Packard au Palais de Tokyo à Paris en 2004. Il est membre fondateur de l'Association des caricaturistes professionnels roumains, à Macea, en Roumanie.
Découvrez les oeuvres d'art contemporain de Nio, parcourez les oeuvres d'art récentes et achetez en ligne. Catégories: artistes contemporains français. Domaines artistiques: Sculpture, Dessin. Type de compte: Artiste , membre depuis 2007 (Pays d'origine Roumanie). Achetez les dernières œuvres de Nio sur Artmajeur: Découvrez de superbes oeuvres par l'artiste contemporain Nio. Parcourez ses oeuvres d'art, achetez des oeuvres originales ou des impressions haut de gamme.
Cote artiste, Biographie, Atelier de l'artiste:
OSMOSE • 8 oeuvres
Voir toutNIOTYPES • 16 oeuvres
Voir toutminiatures (serie 18 pieces) • 19 oeuvres
Voir toutalchimie • 20 oeuvres
Voir toutfragments de temps • 39 oeuvres
Voir toutoeuvres rondes • 13 oeuvres
Voir toutcollages sur papier • 27 oeuvres
Voir toutportraits des objets • 4 oeuvres
Voir toutprofile casting • 20 oeuvres
Voir toutReconnaissance
Artiste émergent
La carrière de l'artiste est prometteuse
La carrière de l'artiste est prometteuse
Éducation artistique
L'artiste a étudié les arts à travers ses études universitaires
L'artiste a étudié les arts à travers ses études universitaires
Choix de la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Vendu en galerie
L'artiste est vendu en galeries
L'artiste est vendu en galeries
Artiste professionnel
Exerce le métier d'artiste à titre d'activité principale
Exerce le métier d'artiste à titre d'activité principale
Biographie
Nio est un artiste multidisciplinaire (peinture, photographie, dessin) et caricaturiste. Ses œuvres le plus souvent abstraites surprennent par leur profondeur et leur subtilité.
Abordant particulièrement les thèmes du collage, de la sculpture abstraite, des silhouettes son travail se distingue par un éclairage nouveau. Les silhouettes qu’il fait naître sur ses photos font étrangement penser à des caricatures.
Nio est un artiste Roumain vivant et travaillant à Clichy-sous-bois en France. Il débute la caricature en 1983. Il est diplômé de l’Instituth Kamprath, section caricature et dessin de presse à Darmstadt en Allemagne en 1995 et de l’Institut Phoenix, section design publicitaire, à Cluj Napoca en Roumanie en 2001. Il a participé à de nombreuses expositions dont Hypergallery, en collaboration avec Hewlett Packard au Palais de Tokyo à Paris en 2004. Il est membre fondateur de l'Association des caricaturistes professionnels roumains, à Macea, en Roumanie.
- Nationalité: ROUMANIE
- Date de naissance : 1970
- Domaines artistiques: Oeuvres d’artistes professionnels,
- Groupes: Artiste professionnel Artistes Contemporains Roumains
Influences
Pas encore de données disponibles
Formation
Pas encore de données disponibles
Cote de l'artiste certifiée
Pas encore de données disponibles
Accomplissements
Pas encore de données disponibles
Activité sur Artmajeur
Dernière mise à jour: 18 févr. 2024
(Membre depuis 2007)
Vues image: 76 683
Oeuvres de Nio ajoutées aux collections favorites: 19
Dernières Nouvelles
Toutes les dernières nouvelles de l'artiste contemporain Nio
Ajouté le 23 févr. 2023
participation exposition a Lecce / Italie
Palmieri Foundation Lecce
samedi
25
février
2023
mercredi
8
mars
2023
IMMEDIATE RELEASE
FONDAZIONE PALMIERI, Lecce, Italy
From 25 February to 08 March 2023
Primo Piano LivinGallery is pleased to present the contemporary art exhibition Venus Effect: Otherness of the Reflected Gaze conceived and curated by art critic and director Dores Sacquegna. The event under auspices by the Municipality and set up at the Palmieri Foundation in Lecce, will be inaugurated on Saturday 25 February at 7.00 pm in the presence of the mayor Carlo Salvemini, of the artists and the audience. During the opening day, is scheduled the Live performance AcustiKelettronix by the multi-instrumentalist musician and Italian composer Alberto "Nick" Bolettieri.
The theoretical debate on the representation of a subject or an artist's reasons for making a portrait is a phenomenon present both in art and in psychoanalysis and is linked to the profound nature of the individual, to his/her psyche, to the methods of perception of other than itself, to the relationship that is established between the subject/work and the painter/observer. In psychology this phenomenon is called the “Venus Effect”. We find an example in some famous paintings of the past such as that of Venus and Cupid by Velazquez, where the face of Venus reflected in the mirror turns its gaze to the painter or the viewer. This illusionistic method also used in photography and cinema is based on the idea that if the observer can see the portrait of the subject portrayed in the mirror, it means that the camera is not behind the actor. From this reflection comes the investigation of the exhibition entitled "Venus Effect: Otherness of the reflected gaze", which is not an exhibition of mirrors, but could be the story of the deception of the reflection, the symbiotic relationship that exists between the physical, visible, and real presence of the user and the imaginary, invisible, illusionistic presence of the object placed in front of. The work-body closes its circuit the moment it finds a gaze that questions it. The event is completed with the video art review titled "With Your Eyes" which is divided into short films, animations and interactive experiments that elevate the user from a simple spectator to a protagonist and an integral part of the story/work. On display the art catalogue with critical texts by Dores Sacquegna.
On display visual artists, video artists and musicians from the national and international scene, of different generations and backgrounds. The event is designed to create a constructive and multidisciplinary dialogue between the ancient Renaissance space of the Palmieri Foundation and the present of the contemporary art works exhibited according to a theme that plays on the otherness of the reflected gaze. With a selection of six animations and interactive experiments (four with music by Stuart Smith, and two by musicians Robert Ehle, Toby Rush), on display the American artist Anna Ursyn, whose works have been exhibited in important museums such as the Louvre, the Center Pompidou in Paris, the Tate in London, the MOMA Museum in New York City. Between idealized beauty and social messages emerge the female portraits by German Urban Artist Patrizia Casagranda, whose works, made on recycled materials, are collected and exhibited internationally. Between physical and digital identity, two light boxes from the Primo Piano collection by Gönül Nuhoğlu, an award-winning Turkish artist, known worldwide for her permanent public art in over twenty countries.
Painting has no limits or surface in the works by Pierluca Cetera, considered one of the most innovative Apulian artists also known abroad and on display with the series Suspensions and Purgatory, a labyrinthine installation on Dante's imagery. The theme of the double and of the specularity is present in the works of the Zero series by Apulian artist Fernando Spano who is also very active abroad and whose works play on the identity of icons and simulacra of ancient and contemporary art. The myth and ecstasy of the fragile Narcissus is renewed and investigates the sphere of subjectivity with the works by Apulian artist Luigi Caiffa, present on the Berlin scene and beyond. Questioning what the reality it is, in the invitation addressed to the user to reassemble the puzzle of an identity X by Apulian artist Monica Lisi with active exhibitions in Italy and some shows abroad. The identity of Self, archetypal and fragmented, is revealed in the works by Italian artist Maria Luisa Imperiali, known for the references to the self-portrait present in all her works. Beauty, death, transformation and change in the digital works by Lize Krüger, award-winning artist born in South Africa and based in the United Kingdom.
The mirror as a place to recognize or even disavow oneself is the story told in the video animation made by artistic duo with Nancy and Philip Barwell (she is from Algerian origins and Philip from England, both of them lives and works in France), they pay homage to the Allegory of bad government by Ambrogio Lorenzetti and by projecting the medieval painting at the time of the conflict between Russia and Ukraine. The control of reality and the nature of nothingness is present in the video by Iolanda Jansen, an internationally known young performer. The research of the Romanian cartoonist (French by adoption) Ioan "Nio"
Herteg is on the duality and symbology of archetypal and niotipi© images. Rebuilding the connection with oneself and re-recognizing where the mirror captures and shatters individual identities is the present research in the video The Garden of
Reflections: only one God/Self? taken from the project “Discomposed Portrait” by the Venetian artist Ivana Galli, known for her environmental installations and performances.
Perception and deception of forms in the work Three Mysterious Faces by Greek visionary artist George Pantelis Syrakis and redemption and damnation with the work by German artist and screenwriter Alexandra Kordas. A face-to-face between roles and faults, the research present in the work Crime Sisters by French artist Laurence Scheer, life and death, truth and fiction with the wok by the young American artist Chai Skyler Malin, known for her evocative images between what we are and what we will be. On the delicate balance that exists in the relationship between the Self and the Other, drama and fears, the hyper-realistic work by Hélène Planquelle, a young French artist and very active on a national level. Fears of the imminent also, in the work by young Russian artist Irina Vytyaganets, resident in Spain.
Alberto “Nick” Bolettieri, is an Italian multi-instrumentalist musician, composer and conductor, born in Milan. He has numerous concert and recording collaborations with great names of the international music scene in the field of jazz and pop music, including Nina Zilli, Marco Mengoni, Giuliano Sangiorgi, La Crus, Ennio Morricone, Armando Trovajoli, Paolo Fresu to name a few. Between 2010 and 2014, he held the role of principal trumpet in the orchestra accompanying the major Broadway musical shows, including Grease, Hairspray, Beauty and the Beast, Shrek, playing in Paris theatres and more. In addition to the concert field, he is engaged in the didactic field with the teaching of theory and music. On display with AcustiKelettronix, a new form of live solo performance that integrates improvisation and instantaneous composition of the trumpet with sampled and electronic sounds, played and driven live, obtaining each time a different and original performance connection with the exhibit space in which he performs.
Artists on display: Nancy & Philip Barwell (Algeria and UK), Alberto Nick Bolettieri (Italy), Luigi Caiffa (Italy), Patrizia Casagranda (Germany), Pierluca Cetera (Italy), Ivana Galli (Italy), Alexandra Kordas (Germany), Lize Krüger (South Africa), Ioan Herteg -Nio (Romania), Maria Luisa Imperiali (Italy), Iolanda Jansen ( The Netherland), Monica Lisi (Italy), Chai Skyler Malin (US), Gönül Nuhoğlu (Turkey), Hélène Planquelle (France), Laurence Scheer (France), Fernando Spano (Italy), George Syrakis (Greece), Anna Ursyn & Stuart Smith (US), Irina Vytyaganets (Russia).
Info: Renaissance venue of Palmieri Foundation (Ex Church of San Sebastian)
Vico dei Sotterranei, Lecce
Timetable: From Monday to Saturday from 16:30pm to 20:30pm
Morning and Sunday by appointment Phone art director: +39 349 37 20 659 primopianospecialprojects.com | primopianogallery@gmail.com
Free admission
Ajouté le 21 févr. 2023
Exposition a Bruxelles https://youtu.be/El6ldhVniPs
Rue de Laeken 83, Bruxelles, Belgique
jeudi
2
mars
2023
dimanche
26
mars
2023
Ajouté le 17 mars 2022
la dernière série: niotype visible dans EXPOSITION - ART SHOPPING
Carrousel Du Louvre, Rue de Rivoli, Paris, France
samedi
9
avril
2022
dimanche
10
avril
2022
Ajouté le 7 févr. 2011
exposition Lecce , Italie
Primo Piano LivinGallery Viale Guglielmo Marconi 4 Lecce 73100 - Italy
samedi
8
janvier
2011
mercredi
16
février
2011
NOI SIAMO LA STORIA PERCHE` CI RACCONTIAMO
from 8/1/2011 to 16/2/2011
In today's society is difficult and almost impossible to think, always, the cohabitation and contact, the comparison of different cultures. The hybridization of cultures is as contemporary as an event, and resonates as a paradigm actually transparent, but requires precise depth.
The term "contemporary" is to indicate not only the 'now', the horizon of today's world. We know how fast the time and current world, as this is always in real time as a television, a space where images in a surprising speed often confusing. Internet becomes a virtual space in which the whole world joins you in a snapshot size. The contemporary consumer culture, changing fashions, new economy subject to abuse and inequality, the status symbol is not, does not coincide with the world of today, the horizon of our most basic everyday now, but it is also something that references , wanting to adopt a phenomenological perspective, all that is reasonably believed at the same time of life, the knowledge that exists, exists, consists of an event at the same time when everyone is acting, there is, he thinks, that, without be able to see or touch, is significant in the same line of practice, thoughts, concepts, values, norms: is the idea that others share the same thoughts and practices when each individual thinks and acts. The contemporary world, as the path to images, messages, in which events are reflected in a simultaneous instant, imposes the need to adopt a fundamentally new look, freed from the conception of "culture" as a separate closed, isolated, identified with a territory. An American anthropologist now in his latest book turns its attention to an interpretive paradigm of "ethnic landscape: the views of people who are so great multi-ethnic civilization in which we live. Tourists, immigrants, refugees, political exiles and non-seasonal workers and other groups and classes of people and "people" in motion and face the reality with the fantasy of having to move, to play a part, a role on the world stage, the life ... So the concept of culture as we have always understood why these keys is less interpretive hermeneutic reading of the territories of the human ethnic landscape is a mess, a mess, a plot in which we are entangled, entangled in a limited role, because one hand we believe we can qualify the entities, to which cultures are subsisting and separate identity as defined, delimited, circumscribed to the specific boundaries, subject to laws and rules of their transformation, implicit, intrinsic, on the other we are embarrassed when we have to define these cultures in contact, in the substrate, in comparison, and multi-cultural encounter: where to start, where it ends, what elements constitute it and really determine, define it? The trilogy identity-culture-land is now obsolete sense, almost obsolete, but at this time of approval and the globalization of civilization there is a growing need for a return to a sense of identity, community, recovery through a "red line" of memory, but tied to particular historical events which its territory, the signs typical humans, the settlement time in the territories of the theater stories, history and experiences, of the infinitesimal moments of everyday life which it is woven. As you can retrieve the size of the contemporary memory of the past?
Ajouté le 15 févr. 2009
Communiqué de presse
Enfin... bienvenue sur le site de présentation des œuvres de Ioan Herteg !
Ici, c'est ma propre alchimie.
Prenez votre temps et n'oubliez pas de me laisser vos recettes sur le livre d'or.
Merci de votre visite et à bientôt !
Ioan Herteg
Ici, c'est ma propre alchimie.
Prenez votre temps et n'oubliez pas de me laisser vos recettes sur le livre d'or.
Merci de votre visite et à bientôt !
Ioan Herteg
Ajouté le 26 avr. 2007
Communiqué de presse
enfin...
bienvenue!
[içi, c'est ma propre alchimie]
prenez votre temps et n'oubliez pas de me laisser vos recette sur le livre d'or. merçi
Merci de votre visite et à bientôt
bienvenue!
[içi, c'est ma propre alchimie]
prenez votre temps et n'oubliez pas de me laisser vos recette sur le livre d'or. merçi
Merci de votre visite et à bientôt
Ajouté le 17 avr. 2007
Communiqué de presse
enfin...
bienvenue!
[içi, c'est ma propre alchimie]
prenez votre temps et n'oubliez pas de me laisser vos recette sur le livre d'or.
Merci de votre visite et à bientôt
bienvenue!
[içi, c'est ma propre alchimie]
prenez votre temps et n'oubliez pas de me laisser vos recette sur le livre d'or.
Merci de votre visite et à bientôt
Ajouté le 16 mars 2007
Ez is kampány?
Ez is kampány?
(2. old.)
Szabályos kiállításmegnyitó ropival, mûanyag poharakkal és a sokat ígérô, az áttetszô üvegen keresztül a déli napsütésben fölöttébb ígéretesen megcsillanó nedûvel. A kellékek tehát a lehetô legszokványosabban adottak. Ami szabálytalan, az a helyszín. Legalábbis nálunk. Hiszen kevésbé szoktunk-szoktattak hozzá az „útszéli" mûvészethez. A Fôtér 2-es számú háza elôtt a járdán, a választási pannók, a világba mosolygó elnökjelöltek tôszomszédságában állította ki Ioan Herteg a hely szelleméhez és az alkalomhoz igazodó karikatúráit. Ötletes rajzok, ötletes, szójátékokon alapuló, s ilyenformán lefordíthatatlan szövegekkel. A fôszereplôk a pártok, pártvezérek, elnökjelöltek, elsô pillantásra — s ugye, az ember az utcán nem ácsorog órák hosszat — majdhogynem egyenlô arányban. Ott van az udemeré is vizesen (ud) és menôfélben (mere), és ott Markó Béla egy Bella Marca nevezetû ragyogó reklámhölgy társaságában. A vicc kedvéért persze.
A járókelôk megállnak, mosolyognak vagy kajánul vigyorognak. Ioan Herteg, akit, többek között, a felesége „szponzorált", nem dolgozott hiába. Ez is kampány?
Ajouté le 16 mars 2007
exposition a la librairie "lettre slaves" paris
Ajouté le 16 mars 2007
Article
Ajouté le 16 mars 2007
Article
Ajouté le 16 mars 2007
Ioan Herteg - Parcours artistique
2006-2007 - Reliure, ADAC - Paris Sud, sous la direction du professeur Ajal-Antonio Leal (www.artmajeur/ligatore)
1998-2001 - Diplômé, Institut Phoenix, section design publicitaire, Cluj Napoca, Roumanie
1996 - Membre fondateur de l'Association des caricaturistes professionnels roumains, Macea, Roumanie
1994-1995 - Diplomé, Instituth Kamprath, section caricature et dessin de presse, Darmstadt, Allemagne
1998 - Bacalauréat électromécanicien, Baia Mare, Roumanie
1983 - Début en caricature
Expositions personnelles
1996 - Caricature, galerie Artis, Baia Mare, Roumanie
2000 - Caricature, performance art, Cluj Napoca, Roumanie
2004 - Mixed media, Institut Culturel Roumain, Paris
2005 - Mixed media, Centre d'animation Mairie 17°, Paris
2010 - Mixed media, porte ouvertes, Bagnolet
2011 - Peinture, Bagnolet
Expositions collectives
1996 - Caricature, Macea, Gura Humorului, Roumanie
1997 - Caricature, Targu Mures, Roumanie
2000 - Caricature, Baia Mare, Roumanie
2004 - Mixed media-photo, Hypergallery,en collaboration avec Hewlett Packard, Palais de Tokyo, Paris
2005 - Mixed media, collage sur papier, Sellam Gallery, Paris
2008 - Collage sur papier, Galerie Artwist, Paris
Ajouté le 16 mars 2007
Ioan Herteg - Artiste contemporain - Récompenses
1992 - Caricature, Bucarest, Roumanie
1996 - Caricature, Gura Humorului, Roumanie
2000 - Caricature, Baia Mare, Roumanie
2007 - artmajeur silver award
Ajouté le 16 mars 2007
Article
"... de la pierre au bois, de la matière figurative à l'abstraction, de l'objet récupéré une renaissance sous d'autre forme; transformateur de la surconsommation en poésie, Ioan nous amène dans son monde qui nous transporte avec légèreté et force.
Son œuvre est un éveil écolophilosophique." Cecile Prot
" ... ce qu'il cherche, Ioan Herteg, en sachant ce qu'il cherche, c'est la naissance de la forme. Et il trouve des solution subtiles. Mais il ne s'agit pas uniquement d'un problème formel, mais d'une identité. Son œuvre est une investigation de sa propre personnalité artistique..."
Gavril Zmicala
Ajouté le 16 mars 2007
participation expo collective "primopianogallery" Lecce, Italie, 8.01.2001 - 16.02.2011
NOI SIAMO LA STORIA PERCHE` CI RACCONTIAMO
from 8/1/2011 to 16/2/2011
In today's society is difficult and almost impossible to think, always, the cohabitation and contact, the comparison of different cultures. The hybridization of cultures is as contemporary as an event, and resonates as a paradigm actually transparent, but requires precise depth.
The term "contemporary" is to indicate not only the 'now', the horizon of today's world. We know how fast the time and current world, as this is always in real time as a television, a space where images in a surprising speed often confusing. Internet becomes a virtual space in which the whole world joins you in a snapshot size. The contemporary consumer culture, changing fashions, new economy subject to abuse and inequality, the status symbol is not, does not coincide with the world of today, the horizon of our most basic everyday now, but it is also something that references , wanting to adopt a phenomenological perspective, all that is reasonably believed at the same time of life, the knowledge that exists, exists, consists of an event at the same time when everyone is acting, there is, he thinks, that, without be able to see or touch, is significant in the same line of practice, thoughts, concepts, values, norms: is the idea that others share the same thoughts and practices when each individual thinks and acts. The contemporary world, as the path to images, messages, in which events are reflected in a simultaneous instant, imposes the need to adopt a fundamentally new look, freed from the conception of "culture" as a separate closed, isolated, identified with a territory. An American anthropologist now in his latest book turns its attention to an interpretive paradigm of "ethnic landscape: the views of people who are so great multi-ethnic civilization in which we live. Tourists, immigrants, refugees, political exiles and non-seasonal workers and other groups and classes of people and "people" in motion and face the reality with the fantasy of having to move, to play a part, a role on the world stage, the life ... So the concept of culture as we have always understood why these keys is less interpretive hermeneutic reading of the territories of the human ethnic landscape is a mess, a mess, a plot in which we are entangled, entangled in a limited role, because one hand we believe we can qualify the entities, to which cultures are subsisting and separate identity as defined, delimited, circumscribed to the specific boundaries, subject to laws and rules of their transformation, implicit, intrinsic, on the other we are embarrassed when we have to define these cultures in contact, in the substrate, in comparison, and multi-cultural encounter: where to start, where it ends, what elements constitute it and really determine, define it? The trilogy identity-culture-land is now obsolete sense, almost obsolete, but at this time of approval and the globalization of civilization there is a growing need for a return to a sense of identity, community, recovery through a "red line" of memory, but tied to particular historical events which its territory, the signs typical humans, the settlement time in the territories of the theater stories, history and experiences, of the infinitesimal moments of everyday life which it is woven. As you can retrieve the size of the contemporary memory of the past?
Ajouté le 16 mars 2007
participation expo collective "primopianogallery" Lecce, Italie, 8.01.2001 - 16.02.2011
NOI SIAMO LA STORIA PERCHE` CI RACCONTIAMO
from 8/1/2011 to 16/2/2011
In today's society is difficult and almost impossible to think, always, the cohabitation and contact, the comparison of different cultures. The hybridization of cultures is as contemporary as an event, and resonates as a paradigm actually transparent, but requires precise depth.
The term "contemporary" is to indicate not only the 'now', the horizon of today's world. We know how fast the time and current world, as this is always in real time as a television, a space where images in a surprising speed often confusing. Internet becomes a virtual space in which the whole world joins you in a snapshot size. The contemporary consumer culture, changing fashions, new economy subject to abuse and inequality, the status symbol is not, does not coincide with the world of today, the horizon of our most basic everyday now, but it is also something that references , wanting to adopt a phenomenological perspective, all that is reasonably believed at the same time of life, the knowledge that exists, exists, consists of an event at the same time when everyone is acting, there is, he thinks, that, without be able to see or touch, is significant in the same line of practice, thoughts, concepts, values, norms: is the idea that others share the same thoughts and practices when each individual thinks and acts. The contemporary world, as the path to images, messages, in which events are reflected in a simultaneous instant, imposes the need to adopt a fundamentally new look, freed from the conception of "culture" as a separate closed, isolated, identified with a territory. An American anthropologist now in his latest book turns its attention to an interpretive paradigm of "ethnic landscape: the views of people who are so great multi-ethnic civilization in which we live. Tourists, immigrants, refugees, political exiles and non-seasonal workers and other groups and classes of people and "people" in motion and face the reality with the fantasy of having to move, to play a part, a role on the world stage, the life ... So the concept of culture as we have always understood why these keys is less interpretive hermeneutic reading of the territories of the human ethnic landscape is a mess, a mess, a plot in which we are entangled, entangled in a limited role, because one hand we believe we can qualify the entities, to which cultures are subsisting and separate identity as defined, delimited, circumscribed to the specific boundaries, subject to laws and rules of their transformation, implicit, intrinsic, on the other we are embarrassed when we have to define these cultures in contact, in the substrate, in comparison, and multi-cultural encounter: where to start, where it ends, what elements constitute it and really determine, define it? The trilogy identity-culture-land is now obsolete sense, almost obsolete, but at this time of approval and the globalization of civilization there is a growing need for a return to a sense of identity, community, recovery through a "red line" of memory, but tied to particular historical events which its territory, the signs typical humans, the settlement time in the territories of the theater stories, history and experiences, of the infinitesimal moments of everyday life which it is woven. As you can retrieve the size of the contemporary memory of the past?
Ajouté le 16 mars 2007
parution dans Nature Art Today 2010
voici le lien:
Ajouté le 16 mars 2007
parution dans ,,la bible de l'art singulier'', ed. lelivredart 2008, page 70
pour visualisez la page, voici le lien:
bible-singuliers-2.php
Ajouté le 16 mars 2007
Ioan Herteg - Demarche artistique
S’il faut nommer une chose, je l’appellerais l’épreuve du temps. Parce que tout est lié à ça. Tout.
Enfant, je voulais d’abord être archéologue. Et je le souhaite toujours ! Jamais éloigné de mon goût pour la nature où j’ai agrandi, je trouve l’inspiration dans l’enfance, toujours à la recherche de traces, empreintes, écritures, de choses oubliées ou abandonnées. Attiré par les choses qui ont vécu déjà une histoire, qui, quelque part, ont déjà une mémoire, je me laisse guidé par les matériaux que je trouve.
Je travail par séries et, en fonction de cela, j’essaye de les mettre ensemble dans l’état brut, cet à dire, de trouver un aspect graphique ou esthétique (qu’est ce que l’on attend d’un œuvre d’art), en utilisant leurs « défauts », découpages, trous, déchirures.
Pour moi, l’essentiel d’un œuvre d’art ce n’est pas ce qu’elle présente comme signe, symboles ou éléments présentés. C’est l’histoire cachée, un mélange de réalité vécue ou pas, et la notion créé dans l'imaginaire de celui qui regarde.
Entre abstraction et figuration, j’utilise des symboles pour donner la chance d’accéder à des nombreux mystères.
Ioan Herteg - Nio
Avis et commentaires
Authentique. Je découvre à peine, mais commence déjà à y prendre goût, ...
Toujours aussi beau!
Das zerr ,zerr , goute nio
Trés interessant !! travail poëtique et sensible sur le temps et les matiéres . A voir "en vrai " !!
Recent, am cumparat o carte care, in afara de titlu si prefata mai avea o multime de pagini goale. Curajul artistului merita mai mult decat pretul. Arta ta insa, dincolo de mesaj, dincolo de curaj, dincolo de toate vibratiile naturii pe care le surprinde, e un dar nepretuit pentru mintea si sufletul nostru.
odata adica demult un amic mi_a spus k alchimistii ar fi niste "jmecheri"!amalgamul acesta de culori care imbratiseaza lemnul ca o amanta posesiva,ne duce pana la poarta sufletului tau!
Etonnant Mr. Nio j'espere pouvoir acheter plusieurs oeuvres prochainement.
On peut vous comparer à un bon vin, plus il vieillît plus il devient meilleur... Merci de nous faire decouvrir tes fabuleuses Oeuvres.
NIO you are the best new generation.
kaderr y.
super lucrari.......spor in continuare...stiu ca poti!!!
la cat mai multe expozitii si la cat mai multe vanzari;)
Nelu j'aime beaucoup tes photographies de profile,trés originale.
j'aime particulierement les oeuvres sur bois,j'en veux une. C`est de l`art brut,félicitation,Continu.
Soph.
EXTRA ,SUPERBE le travail du l'artiste
j' espere que "LE MONDE " va s'en
apercevoir ...
superbe!!! no comment...
Contacter Nio
Envoyer un message privé à Nio