Schilderij getiteld "Where the Laughing…" door Gray Jacobik, Origineel Kunstwerk

Where the Laughing Gull Swoops Schilderij door Gray Jacobik

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Verkocht door Gray Jacobik

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Verkocht door Gray Jacobik

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Dit kunstwerk verschijnt in 31 verzamelingen

Origineel Kunstwerk Schilderij,

Classificatie van kunstwerken

Origineel Kunstwerk

Originele kunstwerken zijn elk werk dat als authentiek wordt beschouwd en geen kopie of imitatie van het originele werk van een kunstenaar. Originele kunstwerken kunnen elk type schilderij, beeldhouwwerk, performance of andere media zijn. Er zijn veel soorten originele media. Gemengde media zijn onder meer olie-, acryl- en aquarelverf. Voor werkplaatsschilderijen die getuigen van vakmanschap moet deze toeschrijving genuanceerder zijn. Hoewel ze om verschillende redenen misschien minder waardevol zijn, hadden de reproducties en kopieën een enorme impact op onze ervaring. Ze bereiken een breder publiek dan de originelen en werken als een tonicum tegen commodificatie. Het oorspronkelijke werk zou ook kunnen verwijzen naar het eerste werk, dat altijd voorafgaat aan alle andere. Het kan ook verwijzen naar een prototype of een model waaruit andere werken kunnen worden gemaakt. Elk werk vertoont grote overeenkomsten met het origineel.
Dimensies Hoogte 24in, Breedte 2,5in
Categorieën Schilderijen onder US$ 5.000 Strand

Water is the subject that informs this encaustic abstract, one of the images of mine that are more about re-creating, rather than representing, a seascape. An aerial perspective, perhaps as the sea washing up on a white sand beach as seen from an airplane, or as photographed by a satellite, but what I've done, thanks to the nature of my materials, encaustic paint (highly-pigmented pharmaceutical-grade beeswax strengthen with damar resin), thermal energy, air current, the pigment weight of the individual chemicals that make each color, as well as the movement of the wax in a liquid state, manipulated by angle, carving, etc., is attempted to embody on the cradled panel, what the natural processes themselves have created. So there are waves of molten wax (now solid), pigment in suspension, light refracted and reflected, and "foam" blown into form (powdered metallic pigments), and so on. The resulting image is far more complex and intricate than at first glance, and I like that, like all the visual information that's encoded in what seems to be a simple image, but that is, rather, deceptively simple. Signed and dated on the back, this work ships with a digitally-registered Certificate of Authenticity. Painted on 24x24x2.5 in (61x61x6.4 cm) birch wood cradled panel, the sides are painted a harmonious deep turquoise, so this is ready to hang.

Verwante thema's

Encaustic Earth From Space Aerial Ocean Seascape

Gray Jacobik

Verenigde Staten

GRAY JACOBIK AWARDS 2012 The Fire Within, Founder's Award, Essex Art Association, Essex, CT., for "Slow Gold, But Everlasting",[...]

GRAY JACOBIK

AWARDS

2012 The Fire Within, Founder's Award, Essex Art Association, Essex, CT., for "Slow Gold,
But Everlasting", July 2012

2011 All About Water VII, Guest Artist’s Award (first prize), Gallery One at Clayhouse,
Old Saybrook, CT., for “By the Sea, By the Sea,” October 2011.

2006 Four Paintings and Four Poems published in The Connecticut Review (special section on
image), Spring 2007, Vol. XXIX, No. 1.

2005 Essex Art Association for Excellence in Any Medium, Light: A Summer Juried Show,
July 29-August 20, 2005, for “September Meadow.”

INDIVIDUAL SHOWS

Abstracts by Gray Jacobik (9 works), First Niagara Bank, Chester, Connecticut,
November 14, 2012 to January 18, 2013. (“Pardon the Cochineal,” “Come See the Roses
in the Moony Night,” “Sun--if Shone--or Storm--if Shattered,” “Another Sky,” “Sheen
Must Have a Disk to be a Sun,” “Slow Gold, But Everlasting,” “To Continents of Summer
and Firmaments of Sky,” “Argues the Aster Still,” “Neither Fish Nor Fowl” and “To
Entertain a Pearl.”

Landscapes By Gray Jacobik (15 works), Samuel T. Chen Gallery, Central Connecticut
State University, New Britain, Connecticut: An Exhibition as part of the Recharging
the Sensorium Conference, April-May 2007.

The Vanilla Bean Café, Pomfret, Connecticut, month of October (26 paintings).

GROUP SHOWS (JURIED)

The Captivating Cosmos, Pierro Gallery, Baird Center, South Orange, N.J., curated
by Alyssa Dreliszatk & Meaghan O’Conner, “String Theory,” and “Super Nova
Remant,” November 7-December 21, 2013.

Connecticut Women Artists National Open Show, Slater Memorial Museum, Norwich,
CT., selected by Douglas Hyland, Director of the New Britain Museum of American Art,
“The Pace, the Flight, the Amethyst,” August 31-September 27, 32013.

Connecticut Women Artists 2013 Members Juried Exhibition, The West Hartford
Art League Gallery, W. Hartford, CT., selected by Vivian Zoe, “I Never Saw the Sea,”
June 1-21, 2013.

Spring Juried Show, Essex Art Association, Essex, CT., “Blue Roses,” “Silver Strings
& Dotted Dots,” & “Summer Closed Upon Itself,” May 3-26, 2013.

112th Annual Juried Show, New Haven Paint & Clay Club, John Slade Ely House,
New Haven, CT., "I Never Saw the Sea," March 24-April 14, 2013.

69th Annual Connecticut Artists Exhibition, Slater Museum of Art, Norwich Free
Academy, Norwich, CT., selected by Jeffrey & Betsey Cooley, “Sheen Must Have A Disk
to be a Sun” & The Peace, the Flight, the Amethyst,” February 10-March 22, 2013.

99th Annual Juried Exhibition, Allied Artists of America, “A Perfect, Paralyzing Bliss,”
National Arts Club, NYC, November 9-18, 2012.

“A Perfect Paralyzing Bliss,” 65th Annul Juried Exhibition & Sale, Guilford Art League,
Mill Gallery, Guilford, CT, September 14-October 6, 2012. Juror: Julia Pavone, Curator,
Alexey vonSchlippe Gallery...