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艺术图片银行-
原创艺术品 (One Of A Kind)
雕塑,
油
在布上
- 外形尺寸 高度 39.4in, 宽度 27.6in / 5.00 kg
- 艺术品状况 艺术品完好无损
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$5,000 观念艺术 市区
"If my memories, loved ones, values, and even my problems follow me, is there any need to leave?"
Through this reflection, she realized true departure is impossible — everything that shapes a person travels with them. She captured this idea with the phrase: "Last one in, close the door!"
This conceptual artwork consists of six oil paintings on jackets and one oil painting on canvas. Each jacket is hand-painted and inscribed with symbols representing vital personal values and concepts. The jackets act as players in a symbolic poker game, competing for a bottle of whiskey — a metaphor for life’s uncertain but valuable stakes.
One jacket symbolizes her mother and the streets of Istanbul.
Concept and Story
The core questions raised are:
"Should I go or stay?"
"Is it harder to be yourself under changing conditions?"
Through this conceptual installation, the artist highlights the commitment to remain authentic, no matter the uncertainties or social pressures.
Exhibitions and Cultural Significance
Exhibited at New Proposals 7 – YÖYÖ Exhibition, Borusan Art Gallery, Istanbul (2001).
Received wide media coverage:
Featured full-page in Istanbul Life Magazine, Marie Claire (August 2001), and Amica Magazine.
Interviewed on the Art News TV program, broadcast daily for a week.
Featured on NTV and CNN Türk ("Gece Gündüz" program).
This installation explores themes of identity, migration, personal values, and self-determination. It continues to resonate with viewers today, making it a significant work for art collectors, conceptual art enthusiasts, and those passionate about contemporary Turkish art.
相关主题
Conceptual Essence Narrative Expressionist Cene Pioneer Artist Göknil Gümüş SungurtekinConceptual ArtIstanbul Streets - Installation ArtMigration ThemesIdentity In Art
Göknil Gümüş Sungurtekin
Pioneer of Conceptual Essence Narrative Expressionism (CENE) • Contemporary Turkish Master Artist
Grand Artist Award Winner • First Turkish Female Naval Painter • MA in Painting – Marmara University
Göknil Gümüş Sungurtekin (b. 1977, Turkey) is an internationally acclaimed contemporary artist and the pioneer of Conceptual Essence Narrative Expressionism (CENE) — a unique artistic language that merges intuition, emotion, memory, and metaphysical insight into expressive visual narratives. Her work is guided not by surface aesthetics, but by depth — both emotional and philosophical.
Sungurtekin's artistic practice blends abstraction and figuration through powerful, intuitive brushwork, layered compositions, and symbolic forms. Her paintings are shaped by a rich conceptual background rooted in German Expressionism, Symbolism, and psychological art. Drawing inspiration from lived experience, she explores themes such as feminine energy, subconscious memory, emotional transformation, and collective consciousness.
For her, the canvas is not merely a surface but a metaphysical space where subconscious and spiritual energies flow. Each brushstroke represents an intuitive realization, a vibration of the soul, and an act of inner surrender. Color functions not only as an aesthetic element but as a frequency of energy — translating emotional truth and vitality into form and movement.
Sungurtekin often creates compositions inspired by childhood memories, intimate connections to ordinary objects, personal rituals, and moments of heightened awareness. Her visual storytelling captures the intersection of the personal and the universal — evoking empathy, belonging, identity, and the ruptures within cultural memory. Her work resonates with mystical and philosophical depth, integrating cosmic, Sufi, and metaphysical dimensions.
In 2004, she was appointed as the First Turkish Female Naval Painter by the Turkish Naval Forces and served aboard the TCG Salih Reis Frigate as an Honorary Major. This transformative experience inspired her powerful Wardroom and Rope series. In 2023, she was honored as a World Artist at the Busan International Environmental Art Festival (BIEAF), South Korea — a recognition of her powerful visual language at the intersection of identity, emotion, and narrative.
Her painting process often flows between conscious design and intuitive spontaneity. A figure seated in a chair may serve as a memory portal; layered textures may evoke the release of buried emotions or the reformation of the self. Her narratives are rarely linear or conclusive — instead, they invite viewers to feel, reflect, and participate. Each painting remains open, shaped by life, memory, and evolving interpretations.
Göknil Gümüş Sungurtekin’s art is a living dialogue — a courageous and authentic space where emotion meets concept, the visible meets the unseen, and the self encounters the canvas.
