铅笔在纸板上, 177.2x252 in
US$1,020
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“艺术”在纸上打印
生产时间： 1-2个工作日
后固定： 带钉，胶带或胶粘剂的安装选项 (不提供)
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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在网站或互联网上使用图像。
| 1500 px | ||
|
1028 px |
| 文件尺寸 (px) | 1500x1028 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
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艺术图片银行其中的一种
艺术家签名的艺术品
包含真实性证书
-
原创艺术品 (One Of A Kind)
图画,
铅笔
在纸板上
- 外形尺寸 高度 177.2in, 宽度 252in
- 是否含画框 此作品未装裱
- 分类 画图 低于US$5,000 象征主义 花
The series dedicated to the rim is the first made by Gambasin. after a long period of inactivity. In all the designs that make it up, "the circle" is represented. using black and white, for the background, and a single color,. different for each of them. To understand and appreciate these works it is impossible not to. make at least a brief reference [...]
The series dedicated to the rim is the first made by Gambasin
after a long period of inactivity.
In all the designs that make it up, "the circle" is represented
using black and white, for the background, and a single color,
different for each of them.
To understand and appreciate these works it is impossible not to
make at least a brief reference to some of the many
philosophical meanings and to the complex symbolism that has
always accompanied this figure.
The circle, in many cultures, especially in the ancient ones,
represents the state of primordial substance, uniform and
undifferentiated. It is free of oppositions, such as, for example,
high / low, in reference to the concepts of equality and harmony.
It symbolizes the sky and with it both the dimension of
spirituality, of the non-tangible existence, and the eternal cycle
of life.
The circle also plays an important role in the world of magic
according to which the "magic circles" served as protection
against the evoked forces and threatening presences.
In the works that make up the series, the color seems to radiate
from the circle traced as energy that originates from it and
therefore expands. The spiritual dimension wants to impose
itself on materiality. The latter is exemplified by the background,
in black and white, composed of an interweaving of figures
including recognizable faces, some assorted, others sad and
melancholic.
It could be the fall into reality that arouses such moods
combined with the fear of never being able to rise to something
higher.
But all this sadness and bewilderment, which become almost
palpable, also seem, in some way, to prophesy the dramatic
moment that the world, whose globality is represented by the
circle, has faced due to the pandemic that fell there early 2020.
On the other hand, one of the characteristics of art is precisely
that of being able, at the moment of its manifestation, to
anticipate what will come, to perceive something that is
precluded to the human senses.
after a long period of inactivity.
In all the designs that make it up, "the circle" is represented
using black and white, for the background, and a single color,
different for each of them.
To understand and appreciate these works it is impossible not to
make at least a brief reference to some of the many
philosophical meanings and to the complex symbolism that has
always accompanied this figure.
The circle, in many cultures, especially in the ancient ones,
represents the state of primordial substance, uniform and
undifferentiated. It is free of oppositions, such as, for example,
high / low, in reference to the concepts of equality and harmony.
It symbolizes the sky and with it both the dimension of
spirituality, of the non-tangible existence, and the eternal cycle
of life.
The circle also plays an important role in the world of magic
according to which the "magic circles" served as protection
against the evoked forces and threatening presences.
In the works that make up the series, the color seems to radiate
from the circle traced as energy that originates from it and
therefore expands. The spiritual dimension wants to impose
itself on materiality. The latter is exemplified by the background,
in black and white, composed of an interweaving of figures
including recognizable faces, some assorted, others sad and
melancholic.
It could be the fall into reality that arouses such moods
combined with the fear of never being able to rise to something
higher.
But all this sadness and bewilderment, which become almost
palpable, also seem, in some way, to prophesy the dramatic
moment that the world, whose globality is represented by the
circle, has faced due to the pandemic that fell there early 2020.
On the other hand, one of the characteristics of art is precisely
that of being able, at the moment of its manifestation, to
anticipate what will come, to perceive something that is
precluded to the human senses.
相关主题
乔瓦尼·甘巴辛 (Giovanni Gambasin) 在加拿大生活和工作，他以其独特的超现实主义方法而脱颖而出。作为一位多才多艺的艺术家，他使用纸板上的铅笔和木头上的油画创作出充满神秘感和深度的作品。他的技巧结合了绘画的精确性和绘画的丰富性，使他能够探索现实变成白日梦的想象世界。受到该流派大师的超现实主义愿景的启发，甘巴辛创作了一些迷人的作品，质疑现实和幻想的感知。每件作品都通过有趣的并置和细致的细节反映了他对意义的追求。. [...]
