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Impressions "Fine-art" sur papier
Il s'agit d'un processus d'impression sur papier d'art utilisant des encres pigmentaires de très haute qualité et imprimé en très haute définition. Son niveau de conservation est exceptionnel (plus de 100 ans), sa qualité, sa profondeur et sa richesse de nuances dépassent celles de l'impression photo classique sur papier argentique.
Finition brilliante
Outre son épaisseur exceptionnelle, le papier fibre est composé d'une base d'alpha-cellulose sans acide et il est recouvert de sulfate de baryum, et d'une couche microporeuse améliorant l'absorption des pigments lors de l'impression. Arborant une couleur blanc pur, ne jaunissant pas à la lumière, ce papier est spécialement conçu pour être durable dans le temps. Il est utilisé par les principaux musées du monde entier car il offre une excellente résolution et un rendu de couleurs profondes et denses.
Impression d'art "Fine Art" - Finition brillante sur papier à base de fibres 325 g.
Nos impressions et reproductions haut de gamme
Artmajeur n'utilise que des papiers naturels au pH neutre, résistants et de haute qualité, sélectionnés par des papetiers de renom!
Une attention constante est portée par notre maître imprimeur, que ce soit en terme de contrôle des couleurs ou de respect de la chaîne graphique. Notre exigence de qualité élevée est un atout majeur pour les tirages d'art encadrés Artmajeur.
Pour les artistes! Vous aidez les artistes à vivre de leur travail. Leurs royalties leur sont reversées chaque fois que vous achetez leurs impressions.
A propos de nos impressions-
Œuvre d'art originale (One Of A Kind)
Peinture,
Aquarelle
sur Toile
- Dimensions Hauteur 14in, Largeur 11in
- Encadrement Cette oeuvre n'est pas encadrée
Thèmes connexes
Born in Western Australia in 1950, into a family with a tradition of farming since the first settlement of the area surrounding the Dumbleyung Lake, instilled a love of nature and country Australia in the Artist.
Early paintings took out prizes in the local Art Show, but the arrival of three children in quick succession caused Kerry to put away her brushes for some years, although continuing to explore a variety of crafts during this time.
On moving to Queensland’s Sunshine Coast in 1989 a course in Chinese Brush Painting was offered at the Caloundra TAFE, this was enthusiastically taken up, and continued privately for three years under the tuition of local artist Elsie Coote, followed by a workshop by talented Chinese Brush Artist Hee Young.
The artist continued to explore the use of the Chinese Brush on rice paper expanding into the exciting area of painting on silk, with great success. On moving to Bundaberg, on Queensland's Sugar Coast, Kerry continued to work and displayed her watercolours and silks in the studio space provided by the Cooperage Art and Craft venue, and in the Upmarket Art and Craft markets where many of her paintings were purchased by overseas, interstate and local collectors.
In 1992 after a move to the leafy suburb of Como West in NSW, Kerry continued with her art studies with tuition by Chinese Artist Maurice Yin, but then decided to adapt her brush skills to the more traditional Western medium of Watercolour, attending classes conducted by local artists Margarette Looney, and Craig Taylor. This period also included a concentration on heraldic art and modern applied leadlight techniques.
Kerry strives to capture the effects of light and colour in her paintings.
Silks, pastels and watercolours by Kerry hang in private collections from Albany to Cairns and overseas to Great Britain, Switzerland, China and United States.
In June 1996, the artist entered her Watercolour paintings in her first Art competition since the very early days, and took out First Prize in the Traditional section of the Fairfield "Arts Alive" award judged by: Deborah Edwards, Curator of Australian Art, Art Gallery of NSW, Dr Peter Thursby, Head of School of Applied and Performing Arts University of NSW and Mr Vaughan Dai Rees, Senior Lecturer Visual Arts, University of NSW.
First prize in the Watercolour section of the Kukerin Tracmach art exhibition in 2000. Judges comment: “ The winners that were chosen stood out because of the sensitivity to their chosen medium, strong composition and good presentation of works”.
First prize in the Watercolour section of the Kukerin art Show in 2003.
Highly Commended Wagin Woolorama 2004 for still life watercolour.
Kerry's work was displayed in the Sylvania Galleries of fine art, Sylvania Heights, Southern Sydney, but now displays and sells her work from her studio at 16 Absolon St Dumbleyung. In 2007 Kerry commenced a Batchelor of Fine Arts Degree at Curtin University.
- Nationalité: AUSTRALIE
- Date de naissance : 1950
- Domaines artistiques:
- Groupes: Artistes Contemporains Australiens