Lacy 9 (2024) 绘画 由 Fatih Sungurtekin

油在帆布上, 15.8x11.8 in
US$1,989
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The artist revives the female figures that were subject to censorship during the Ottoman period, revealing the missing pieces of history and memories that are about to be erased from social memory. Using the lace he received from his wife Göknil Gümüş Sungurtekin's dowry, which is about to disappear today, he emphasizes manual labor and the memories [...]
The artist revives the female figures that were subject to censorship during the Ottoman period, revealing the missing pieces of history and memories that are about to be erased from social memory. Using the lace he received from his wife Göknil Gümüş Sungurtekin's dowry, which is about to disappear today, he emphasizes manual labor and the memories behind this labor in his works. He brings together the aesthetic stance of the Turkish woman in her traditional clothes with lace knitting. He combines his paintings with the decorations, motifs and textures he previously made on the walls and ceilings with lace. The artist creates new meanings by blending recent and distant history with his own individual memories. He blends the female figure, which was not even included in paintings during the Ottoman period, with lace elements adorned with memories from the past to the present, and with decorations and pictures that have a place in his own memories. He gives new life to the missing parts of the past, saves them from the brink of oblivion and gives them new expressions with the transformative power of art, emphasizing social memory. By combining these processes, he offers a historical and aesthetic perspective consisting of moments and memories.

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Aesthetical ArtsIndividula ArtHistoricalTurkish ArtistOttoman Art

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Fatih Sungurtekin started painting from his childhood by making mud toys and drawing pictures on the walls. His high school teacher discovered his talent and directed him towards the visual arts. His artistic [...]

Fatih Sungurtekin started painting from his childhood by making mud toys and drawing pictures on the walls. His high school teacher discovered his talent and directed him towards the visual arts. His artistic life began when he entered the Painting and Drawing Department of the Faculty of Fine Arts in 1995. He has participated in many National and International exhibitions as a conceptual artist. With the concept of "Moment and Memory" at the university and later, he produced studies on "time, the destruction of urban heritage, the reduction of human dialogues, the change and erasure of social memory". His art in this process contains warnings, information and messages for the future. In these works, he applied installation, ready-made materials and mixed techniques on various materials such as walls, paper and canvas. Later, the artist diversified the concept of "Moment and Memory" by combining and expanding the concepts of time, space and memory, and focused on organizing and recording what we experience in our memory by abstracting it momentarily. In the same way, he produced snapshots that were abstracted by the superposition of momentary things.

Making connections between his own memory and collective memory, the artist produced works that were manipulated on his canvas. The overlapping moments creating time and memory led him to produce more layered works. In recent years, the artist, making use of micro-macro cosmic elements, the forms and shapes of nature and living things, tries to reveal the invisible beauties of nature and the moment we live in, by producing layered works. The artist, who establishes similarities and relationships with things inside and outside of our body and thoughts, creates by blending the elements in his painting with the figure that has aesthetic expression. The work, which appears to be a single surface from a distance, turns into works that deepen in meaning with new visuals and sections as they approach. While each collage element supports the main image, it creates new meanings in itself and evokes different feelings in the viewer.

The artist examines the relationship of being and absence based on the known and unknown in the context of time and perception. The paintings create awareness for the viewer in his inner and outer journey.

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绘画 标题为“Natural Lives” 由Fatih Sungurtekin, 原创艺术品, 油 安装在木质担架架上
油在帆布上 | 11.8x11.8 in
US$1,456
绘画 标题为“Glimpse” 由Fatih Sungurtekin, 原创艺术品, 油 安装在木质担架架上
油在帆布上 | 51.2x39.4 in
US$10,177
可用打印
绘画 标题为“Lacy 5” 由Fatih Sungurtekin, 原创艺术品, 油 安装在木板上
油在中密度纤维板上 | 15.4x11 in
US$1,963
可用打印
绘画 标题为“Faunus” 由Fatih Sungurtekin, 原创艺术品, 油 安装在木质担架架上
油在帆布上 | 15.8x11.8 in
US$2,242
可用打印

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