Children of the ocean (2024) 绘画 由 Evgeniya Polyudova
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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1500 px | ||
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1246 px |
文件尺寸 (px) | 1500x1246 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
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最大打印数量 | 0 (Zero) |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 39.4in, 宽度 47.2in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 印象派 动物
There is a new day ahead and the joy of anticipating the upcoming adventures.
The painting was a continuation of the series of works of the Ark project.
相关主题
She was born in 1977 in Sim, Chelyabinsk region in a creative family.She received a professional art education at the Art and Graphic Faculty of the Bashkir State Pedagogical University, in Ufa. Active creative activity for 10 years.
There are more than 50 All-Russian and international exhibitions and competitions in the asset. She has held 13 solo exhibitions, including a solo exhibition in 2022 at Domanov Gallery California, Long Beach, California, USA.
In 2018, she won an international exhibition in France at the Domaine de la Groirie gallery in Sarthe, dedicated to the annual Culture au Château program.
Her works are in private collections in the USA, England, France, Greece, Russia, Ukraine and others countries,well as in the Museum of Local Lore in Severo-Kurilsk, in the Museum of Soviet Life in Ufa, in the Moscow Modern Art Theater.
She lived for 4 years on the Kuril island of Paramushir, actively devoting herself to the plein air. The wild nature of the island, with its active volcanoes, the ocean, influenced the artist's work, as a result of which his own style was formed in the technique of oil painting and impressionism.
Blissful images of a quiet haven of the material world seem to float from the paintings into the viewer's imagination. They remain the unattainable desired, but their visual form can bring peace to consciousness. Water, which fills all living things, as a constant element in paintings, on the one hand, gives a feeling of weightlessness, on the other hand, it becomes an axis of peace and order, an eternal return to the horizon, to balance.
My visual handwriting was formed during my life and active plein-air practice on the Kuril island of Paramushir. Observing and painting the wildlife of the island – active volcanoes, distant ocean – became a defining experience for me.
Landscapes painted in oil technique are intangible images, similar to reflections. The pasty manner of writing in my works creates the effect of distortion in space-time, which fills the distance between the eye and the depicted object. Thus, the image reveals itself as an aura. The paintings do not show a direct imprint of reality, but its aura, which I carry to the viewer.
My painting style goes back to the method of Impressionism. The aura of the work, which carries the memory of the depicted reality, is woven from fleeting impressions, flashes in my perception.
To add memory to the image, I use, among other things, direct artifacts – natural substances mixed into the paint in a natural way.
For example, in all the works of the Kuril series, there is ash from the Ebeko volcano, as they are written in plein-air conditions, due to ash eruptions that occurred very often during the day from the Ebeko volcano at home.
I fill my paintings with nature, let in the breath of the wind, the sound of the ocean surf.