Arrendamiento de la obra “ The Cronos Victory ” de Nicu Darastean con opción de compra
Las Pinturas de Nicu Darastean están disponibles para alquiler con opción de compra
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Preguntas más frecuentes
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Sobre el autor
My childhood was very important for my development as an artist. I was born on April 2, 1971 in a small Romanian village surrounded by forests, a settlement where no modern facility had ever existed - not even electricity. I grew up imagining the “outside world”, making my own toys out of wood and clay, watching and studying nature. When I was 7 my family moved to a nearby larger village. There I started to broaden my horizons but at the same time lose my childhood. I started to discover civilization, as it was, and many times I had a feeling of “deja-vu”: seeing that things I had only imagined before actually existed.
I spent my teenage years preparing for a respectable career in electronics, but the influence of my grandfather, my first art teacher, a very good folk artist with an authentic aesthetic sense, was starting to come out. After high school I realized that I had to dedicate myself to the art of painting so I started to attend a local Graphic Art School. There I showed my professor a few paintings which looked so much like the works of Vasarely, Dali, Magritte and de Chirico that the professor asked me whether I had seen their works before. Having only read books about renaissance art and nothing about modern paintings, I started searching for information. Then I began my own art history course.
After studying graphic art I decided to expand my view of art by studying design. I chose design because the study of art was too constrained by the work methods of our art teachers. Unfortunately there is no surrealist art school in the world and surrealism is still overlooked by professors who are too busy with postmodernist art. Studying design helped me indirectly by developing my abilities of projecting a surrealist atmosphere through perspective and projective drawing and also making me familiar with new art techniques. During that time I perfected my watercolors, icons and graphic art style.
Traveling through the Netherlands in the last few years raised my interest for the hyperrealism of the still lives of Flemish painters. Then I began to study the fantastic realism of Breughel and Bosch, of Carel Willink and Pyke Koch and the metaphysics of Magritte and Delvaux. Learning from the experiences of other artists and adding my view of the world I developed, in time, my own surrealist style.
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Nacionalidad:
RUMANÍA
- Fecha de nacimiento : 1971
- Dominios artísticos:
- Grupos: Artistas Contemporáneos Rumanos
