What made you decide to become an artist? What is your background?
The need to communicate with people without the word at the beginning. The lines, stains and traits that define my work always go hand in hand with the perception I have with the unreal as I always try to scrutinize the intangible, the subconscious of the human being I am a self-taught artist I began my artistic process by observing and feeding my creative vision imagining stories in each of the people around me, family, friends, acquaintances, passersby, always captured in sketches and drawings always with a different image to their visual appearance.
What are the three things that set you apart from other artists?
Original, creative, unreal.
Where does your inspiration come from?
From observation translated into conceptual image.
Tell us about the conception of your works, do you have a long preparation work or is it quite spontaneous?
It is a long work of observation that is reduced in time to capture the idea on paper or canvas that would seem spontaneous but requires a long and extensive search of the elements to achieve the process for its execution.
What do you want to show through your work?
To remove the stereotypes of a stiff work.
In your work do you use techniques or materials out of the ordinary?
Conventional materials and image should be a tool of expression not costs that can serve to raise the commercial value not the creative.
Do you have a favorite format? Why?
Commonly used and easy to use formats with the exception of jobs that require a justified demand.
What difficulties do you find in your work?
The way and form of exposing for lack of physical spaces. But the arrival of digital spaces may be the option to do it at home.
How do you work? At home, in a shared workshop, in your own workshop?
In the appropriate space that allows the observation of the models I used in my work.
Does the work of an artist lead you to travel a lot?
Because of the cosmogony of the human being with each and every one of the mental and sentimental stages that every living being carries.
What was the best moment of your career?
It is always the one that is yet to come.
How do you see your work in ten years?
With a total recognition of the work that he preseded at the time.
What are you currently working on? Are you planning an exhibition soon?
Always on periods and processes of lived or observed events.
If you could create a masterpiece of art history, which one would you choose?
One that can be seen by the observer in some passage of his or her life.
If you could invite a famous artist to dinner (living or dead), which one would you choose?
Picasso
Olimpia Gaia Martinelli
| ArtMajeur Magazine
