Bullfinch on branch of rowan - tree under snow 46x68 cm (2021) 绘画 由 Ellada Saridi
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage： 网络许可证
| 1500 px | ||
|
979 px |
| 文件尺寸 (px) | 1500x979 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
墨
/
水彩
在纸上
- 外形尺寸 高度 18.1in, 宽度 26.8in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$1,000 极简主义 动物
Signed with red stamp (Hanko) with artist's Japanese name Seirei 星麗 – “beautiful star” and the artist's initials ES
Japanese ink painting, Sumi-e
Materials used:
The artwork was painted with Japanese ink made from the soot of pinewood, Japanese watercolors paint (Kansai) on Japanese rice paper” gasenshi made from the fibers of mulberry, bamboo, and straw.
相关主题
I am Ella Saridi, a full-time artist living in Sweden. I work in ink painting or sumi-e technique. This is an art form that has been around for centuries in the East and is rooted in Zen Buddhism.
In the early 2000s, I came to Japan, where I spent about 10 years studying Japanese art, particularly ink painting. This style fascinated me with its expressive lines and abundance of empty space. There are not many artists who paint in this style nowadays.
My style has evolved over the years. I do not follow classical sumi-e. Instead, I combine sumi-e with Western art to adapt the Eastern spirit for the Western viewer. My main themes are flowers, birds, and landscapes. I create "pictures of the heart" that felt like poetry.
I was born in Tbilisi (Georgia) lived in Moscow (Russia) and Leuven (Belgium). I travel a lot, and in any city, I come to a park and a botanical garden, where I photograph and sketch trees, flowers, and birds.
I have created hundreds of paintings in my home studio, many of them custom-made.
I paint in different sizes. My customers use my larger artworks for screens, diptychs, triptychs, and sliding doors. I use authentic Japanese and Chinese materials and tools, such as Japanese rice paper, black ink, Japanese watercolor, and special long-haired brushes. I strive to show the beauty of ink shades and the visual effects of its spreading on the paper.
