Scream (2019) 绘画 由 Eliza Matica
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage： 网络许可证
| 1280 px | ||
|
1500 px |
| 文件尺寸 (px) | 1280x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 31.5in, 宽度 27.6in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 抽象主义 爱情
First time presented at my personal exhibition "Nuances" - UNESCO Center Bucharest.
The Deeds Of Anger
Poet: Edgar A. Guest
I used to lose my temper an' git mad an' tear around
An' raise my voice so wimmin folks would tremble at the sound;
I'd do things I was ashamed of when the fit of rage had passed,
An' wish I hadn't done 'em, an' regret 'em to the last;
But I've learned from sad experience how useless is regret,
For the mean things done in anger are the things you can't forget.
Now I think I've learned my lesson an' I'm treadin' gentler ways,
An' I try to build my mornings into happy yesterdays;
I don't let my temper spoil 'em in the way I used to do
An' let some splash of anger smear the record when it's through;
I want my memories pleasant, free from shame or vain regret,
Without any deeds of anger which I never can forget.
相关主题
Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...
2018-2019 Postwar Abstract Painting MoMA New York,New York, United States
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania
All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.
In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!
-
国籍:
罗马尼亚
- 出生日期 : 1974
- 艺术领域： 具有认证艺术家价值的艺术家的作品,
- 团体： 认证的艺术家 罗马尼亚当代艺术家
