Wooden orthodox church (2019) 绘画 由 Eliza Matica
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卖家 Eliza Matica
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原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 27.6in, 宽度 19.7in
- 是否含画框 这件作品是诬陷
- 分类 画作 低于US$5,000 古典主义
布面油画| 2019年
小老式教堂
埃德加·艾伯特·格斯特
小小的老式教堂,座位长而朴实,朴实无华,
朝拜的阳光是从不带污点的窗户进来的,
合唱团是由好人组成的,他们在草地和小巷里平日里辛苦劳作。
小山丘上的老式小教堂,
山顶上有朴素的木制十字架,象征着爱与善意,
在为我们所有人而死的基督中,我仍然看中它。
我希望我能再去那儿,向传教士列出
当上帝呼召我们进入他的视野时,等待着我们的奇妙快乐,
谁向我们描绘了天堂,就像一座铺满黄金的城市。
小小的老式教堂,没有高耸的尖塔,
从来没有巨大财富的迹象,还有在合唱团里唱歌的人
为了热爱事业而不是为了聘用而献出自己的音乐。
也许我是错的,过时的或古怪的,但是山上那座灰色的小教堂,
在只传扬上帝的怜悯和爱的地方,我生命中的匮乏似乎弥漫,
而且,我今天的教堂没有多余的装饰。
相关主题
Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...
2018-2019 Postwar Abstract Painting MoMA New York,New York, United States
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania
All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.
In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!
- 国籍: 罗马尼亚
- 出生日期 : 1974
- 艺术领域: 具有认证艺术家价值的艺术家的作品,
- 团体: 认证的艺术家 罗马尼亚当代艺术家